I'd rather be caught holding up a bank than stealing so much as a two-word phrase from another writer.
If my public existence does anything worthwhile, hopefully it at least demystifies the author a bit, because I know when I was younger I felt like authors were like wizards or something. Turns out they're total muggles.
One nice thing about putting the thing away for a couple of months before looking at it is that you start appreciate your own wit. Of course, this can be carried too far. But it's kind of cool when you crack up a piece of writing, and then realize you wrote it. I recommend this feeling.
I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.
A man who is a genius and doesn't know it, probably isn't.
When something can be read without effort, great effort has gone into its writing.
Man acts as though he were the shaper and master of language, while in fact language remains the master of man.
Suit the action to the word, the word to the action.
Writers like teeth are divided into incisors and grinders.
There is a master way with words that cannot be learned but instead developed: a deaf man develops exceptional vision, a blind man exceptional hearing, a silent man, when given a piece of paper.
The more you read, the less apt you are to make a fool of yourself with your pen or word processor.
Writing is a crummy profession, but a good hobby.
To read, write, and converse in due proportions, is, therefore, the business of a man of letters.
I'm not a very good writer, but I'm an excellent rewriter.
Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
I think we ought to read only the kind of books that wound and stab us.
Literature is all, or mostly, about sex.
Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there's an explosion-that's Plot.
All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
One wants to tell a story, like Scheherezade, in order not to die. It's one of the oldest urges in mankind. It's a way of stalling death.
Some editors are failed writers, but so are most writers.
Write drunk; edit sober.
I can shake off everything as I write; my sorrows disappear, my courage is reborn.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
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