Proof by analogy is fraud.
The plurality that we perceive is only an appearance; it is not real. Vedantic philosophy... has sought to clarify it by a number of analogies, one of the most attractive being the many-faceted crystal which, while showing hundreds of little pictures of what is in reality a single existent object, does not really multiply that object.
Some distance away is a white azalea bush which stuns me with its stately beauty. This is pristine natural beauty. it is irrepressible, seeks no reward, and is without goal, a beauty derived neither from symbolism nor metaphor and needing neither analogies nor associations.
We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.
The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
Any one who has stood upon a lofty summit and gazed over an inchoate tangle of deep canyons and cragged mountains, of sunlit lakelets and black expanses of forest, has become aware of a certain giddy sensation that there are no distances, no measures, simply unrelated matter rising and falling without any analogy to the banal geometry of breadth, thickness, and height.
People sometimes say, "Isn't it boring, isn't it always the same? It's the same lines." I go, "Well, do you play tennis? Because that's the best analogy I can give." If you go out eight times and play tennis eight times this week, yeah it's the same rules but it's a different game every time you're out on that court.And that's the best analogy I can come up with the theater.
I think that metaphor really is a key to explaining thought and language. The human mind comes equipped with an ability to penetrate the cladding of sensory appearance and discern the abstract construction underneath - not always on demand, and not infallibly, but often enough and insightfully enough to shape the human condition. Our powers of analogy allow us to apply ancient neural structures to newfound subject matter, to discover hidden laws and systems in nature, and not least, to amplify the expressive power of language itself.
No historical analogies are exactly precise.
Any time you make an analogy to horrific people in history, Mussolini or Hitler, people say, 'Oh, you're exaggerating, you're talking about, it's hyperbole.' Maybe it is. ... But I would say is that if you are not concerned that democracy could produce bad people, I don't think you're really thinking this through too much.
The past is gone. I know it sounds cliché, but you're here. Like be in it. And boxing was a really good analogy for me to try and carry that in my everyday life all the time.
Many comedians consider themselves to be cutting edge. But why do we have to use the knife for the analogy. Let's use the spoon. I like to consider myself the big bowl-like area of the spoon that holds all the stuff you like.
perhaps there is something more than courtesy behind the dissembling reticence of childhood. ... Most artists dislike having their incomplete work considered and discussed and this analogy, I think, is valid. The child is incomplete, too, and is constantly experimenting as he seeks his own style of thought and feeling.
A frequent intercourse and intimate connection between two persons make them so like, that not only their dispositions are moulded like each other, but their very face and tone of voice contract a certain analogy.
. . . all meaning comes from analogies.
When Arthur Schlesinger Sr. pioneered the 'presidential greatness poll' in 1948, the top five were Lincoln, Washington, Franklin D. Roosevelt, Woodrow Wilson, and Jefferson. Only Wilson appears to be seriously fading, probably because his support for the World War I-era Sedition Act now seems outrageous; in this analogy, Woodrow is like the Doors and the Sedition Act is Oliver Stone.
The eye instinctively looks for analogies and amplifies them, so that a face imagined in the pattern of a wallpaper may become more vivid than a photograph.
The editing process, to use a slightly grim analogy, is like the slow suffocation of lots of babies. It's like, which finger do you want to cut off first?
I always use the analogy that when you go to a jeans store and put on a new pair of jeans, it's a pair of jeans and they feel different; so, when you're dealing with these sort of costumes it's a very big departure and really does make you feel quite different. But it's wonderful.
The debate analysis in the media is rampant with contest analogies of war, baseball, boxing, football; you name it. Any testosterone contest imaginable is fair game.
I definitely think men can be leaders. I see an analogy in the case of what helped me think about racism, which was to find parallels with sexism. In other words, I don't think I was such a great ally until I got mad on my own behalf.
Analogy cannot serve as proof.
We really want to send the message that commanders need to understand and be accountable. We saw that with the Catholic Church. No one cared when they went after the priests, but when they focused on the bishops then things began to change. And we see that analogy working with the military.
I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.
As I spoke with scientists about the way fat behaves, I couldn't resist drawing an analogy to the realm of narcotics. If sugar is the methamphetamine of processed food ingredients, with its high-speed, blunt assault on our brains, then fat is the opiate, a smooth operator whose effects are less obvious but no less powerful.
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