We shape our buildings; thereafter they shape us.
My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."
I have high aspirations. I want to be an architect.
Sympathetic cracks. A term frequently used by architects and surveyors in terms of ageing houses. I know what they mean.
The architecture profession has lost a lot of its integrity, especially in the USA. The general architect here has no scruples, no ambitions.
Architecture starts when you carefully put two bricks together. There it begins.
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
A lawyer without history or literature is a mechanic, a mere working mason; if he possesses some knowledge of these, he may venture to call himself an architect.
Can't nothing make your life work if you ain't the architect.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.
Nothing requires the architect's care more than the due proportions of buildings.
I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.
I know for me as an artist, I think I do myself and my listeners a disservice, if I don't listen to some of the best music out there. If I was an architect or a carpenter, I'm going to want to study the best architects and carpenters and I'm going to appreciate their work, because they're going to inspire me to do well. And I just look at them as great architects and I just appreciate the gift that God gave them.
My mother thought I would have a hard life as a painter. My father thought the highest thing a person could be was an architect. Below that was a painter. So he thought it was much better than being, say, a doctor.
The responsibility of an architect is to create a sense of order, a sense of place, a sense of relationship.
We are all here for some special reason. Stop being a prisoner of your past. Become the architect of your future.
No architect is held responsible for the behavior of those who inhabit the structure he designed.
In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.
We each build our own future. We are the architects of our own fortune.
A greater awareness in architects and planners of their real value to society could, at the present, result in that rare occurrence, namely, the improvement of the quality of life as a result of architectural endeavour.
If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.
The vocation, whether it be that of the farmer or the architect, is a function; the exercise of this function as regards the man himself is the most indispensable means of spiritual development, and as regards his relation to society the measure of his worth.
The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time--- is he who shall create poems in stone.
I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197
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