To all the girls out there who think being funny is not sexy, you are wrong!
There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.
I love being funny and talking with fellas.
I don't think of any sentence as a "one-liner", but I do pay attention to how people actually speak when they are being funny. Rhythm is key.
I think my way of being "funny" is just saying things that people think but have learned not to say, whereas, I haven't learned not to say them.
If you try to be funny, you're not being funny.
I was always funny, but I didn't know being funny was a gift.
People don't understand that when I'm on the show I'm totally relaxed, hanging out, having a fun time, watching videos, and being goofy. Sometimes I say stupid comments, just being funny, and people think I'm a dumb person.
Look, I had to take chances or it wasn't fun being funny.
There are many different ways of being funny. I'm not sure that there's so many different ways of being dramatic.
I just think it should be illegal to call somebody fat on TV. . . . I think when it comes to the media, the media needs to take responsibility for the effect that it has on our younger generation, on these girls who are watching these television shows and picking up how to talk and how to be cool, so then all of a sudden being funny is making fun of the girl who's wearing an ugly dress.
Being funny is a gift, and, when done well, is an art form.
I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.
Until I was about 14, I was a fat boy, or at least I looked like a fat boy. I think that being funny was a bit of a defence mechanism for me, so I ended up being a bit of a joker.
I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.
It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.
It's nice to represent a woman who can be bigger than what you see as a typical skinny actress - being funny and desirable at the same time.
It's just occurred to me that some horror films everybody laughs because they're so ridiculous and they're so frightening in a way, the filmmakers' are trying everything, that they just end up being funny.
As an actor, you can really play the intensity and gravity and seriousness of the moment, and just rely on the circumstances being funny. The joke is kind of the situation you're in, or the way you're reacting to something, as opposed to the characters just saying something witty.
The hardest thing for me to do, and the best thing I've done and learned as an actor is to sacrifice being funny in certain circumstances in order to do something that makes sense for the story or the character, or emotionally.
There's a fear that I don't think people are interested in my actual opinion. I just think people are interested in me being funny.
The way I survived growing up in Jersey City was by being funny. It wasn't by being tough. Nobody thought of me as a tough kid, except for the kids I beat up.
I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
The newspaper industry when I came along in the mid-70s was rich and powerful and growing and hungry for material and open to new people. None of that is true in the newspaper industry today. Print in general is pretty rugged. The good thing is that you can gain a foothold on the Internet because everybody has access to it, even things like Twitter - I mean, you can get a reputation for being funny pretty quickly on Twitter, on a blog, that kind of thing.
I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think.
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