My plan has always been to return to Broadway every 50 years.
I've heard it said that people come into our lives for a reason Bringing something we must learn And we are led to those who help us most to grow If we let them and we help them in return.
It's a very tough time for the playwright. Broadway has become almost a musical comedy theme park with all these long-running shows.
The only reason anyone goes to Broadway is because they can't get work in the movies.
I thought it was all a flash in the pan. It wasn't until Broadway came along that I felt I had really made it.
I don't like Tommy on Broadway at all. I like the music, I'm pleased with Pete's success but I don't like what they've done to it.
I don't go to that many Broadway shows, so I can't really say anything.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.
Once I found out how much an Off-Off-Broadway actor makes, I was whoring myself out the next day.
In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.
And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
The good thing about Broadway is that you don't have to worry about an airdate. It gets done when it gets done.
I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.
There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.
My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
I did the Broadway album unfortunately in a year when there were no hits.
Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.
So if I keep making mistakes on Broadway or tape or film, producing, directing or acting, I can go along and do it - so long as I'm not investing too much capital in these things.
Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.
We are living in the excesses of freedom. Just take a look at 42nd Street and Broadway.
I wanted to write for Broadway.
The Broadway audience is made up of a greater percentage of tourists now. There's not nearly as much variety and danger and challenge in what's being offered.
I was in 27 Broadway plays, and three of them got the Pulitzer Prize.
Broadway is a tough, tough arena for singing.
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