To be a gentleman is to be oneself, all of a seam, on camera and off.
Television is a prisoner of dialogue and steady-cam. People walk down a hall, and the camera follows them around a corner.
I was so besotted with '8½' that, when it was on TV, I used to take pictures with my 35-mm. camera of the frames of the film. That was the first time I'd ever really seen Italians on screen.
The world I feel, within the realm of art, is more genuine than the wrorld of matter. Artistic feeling is not tape measures, spectrographs, or flash camera lens.
Ninety-eight per cent of actors who actually make a living do so in front of a camera.
I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip.
I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.
I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest.
I think I'm better behind the camera than I am in front.
Imagination helps me to become part of that journey that I'm going through in font of the camera, or in front of an audience. I used to think you had to disappear within a character, but I find that puts a mask on what I do.
The goal is to have to do the shot again because the camera guy shook a little bit as he was laughing. Without that happening, I'm not happy because there's nothing better for me than a world that everybody's just trying to make each other laugh.
I made the intentional choice to step behind the camera.
I love Polaroids and I have a Polaroid camera collection from the '50s.
Cooking for me is a way to wind down. It's different from cooking on camera, where you have to do everything twice, for a wide shot and a close-up.
I can't hold a camera anymore.
It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivates you when you are photographing.
Lesson number one: Pay attention to the intrusion of the camera.
I love the idea I can go off with a single camera and a few rolls of film unencumbered... I was not interested in the illusion of reality, I wanted to get close to what was happening.
Because I trained in theater, I always leave a film shoot feeling like I haven't done anything, like I just sat in front of the camera and whispered, essentially.
I did come to L.A. to try to get on TV and get in front of a camera, so I could have a stage career in New York.
I almost became a music major, but somehow I was so enthralled with the camera and becoming a director that I stuck with film school and theatrics.
I started out with this dream of being a director and doing cinematography and bought my first film camera at 15.
Gen Y is really quite distinct from Gen X; it's really self-involved and very narcissistic - their cameras are filled with pictures of themselves; Facebook, it's about me. It's a generation that's been pampered by their parents and their schools, given prizes for just taking part.
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