I had the global outlook that I really wanted to capture the world. I would like the attention of the world at least and I wanted that.
It is sufficient to estimate the enemy situation correctly and to concentrate your strength to capture him. There is no more to it than this. He who lacks foresight and underestimates his enemy will surely be captured by him.
The religiously observant is lumped in with the nominal Muslim, the nominal Muslim is lumped in with the non-Muslim and the radical. If we want to make sense of this mess and stop pushing Muslims into the arms of the extremist, we need to make meaningful distinctions between the religion of Islam that a billion Muslims follow and see as a guidance as a peaceful righteous moral life and the puritanical Islam of a minority which so captures the media's attention.
All the hideously calculated hypocrisy of men when they commit a murder in the name of justice. Then it's the time of death on a grander scale, the hour of the great offenses ... fix your bayonets boys ...gentlemen, synchronize your watches ... in ten seconds time the barrage starts ... a thousand men are destined to die in order to capture a farmhouse no one has lived in for years...
The human mind shows an urge to capture into fixed forms through unreal assumptions, that is, fictions, that which is chaotic, always in flux, and incomprehensible. Serving this urge, the child quite generally uses a scheme in order to act and to find his way. We proceed much the same when we divide the earth by meridians and parallels, for only thus do we obtain fixed points which we can bring into a relationship with one another.
The technical aspects of doing motion capture and actually, you know, capturing the motion, is very different. It's an interesting learning curve to be part of because you have so much gear on you.
A good show makes me happy. It's a great sensation. If you could capture a great atmosphere and do it every time, that would be amazing.
There were just moments of the punk scene and I realized that I had to capture it. There was also this photographer in our preschool - I went to a Montessori school in Baltimore, Maryland - and they had this photographer come and take all these incredible photographs. They looked like they were from Life magazine.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
My two older brothers are both molecular biologists and neuroscientists, and I feel like representing them accurately is never done in movies, and I really wanted to at least capture the spirit of a Ph.D. student whose goal and aspiration is to increase the sum total of human knowledge. That is noble. That was really, really important, to capture the three-dimensionality of scientists. Scientists fall in love, scientists have the greatest sense of humor, scientists are passionate.
The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought.
Everybody thinks performance capture is about thrashing around and doing a lots of movement, but it's actually about being able to contain and think and be believed in a close-up, as much as anything else.
What I most wanted even at that early age, was to capture and hold the truth, with the certainty and love that it brings.
...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.
ISIS is a radical jihadist group that is increasingly sophisticated in its ability, for example, to radicalize American citizens, in its inability to exploit loopholes in our legal immigration system, in its ability to capture and hold territory in the Middle East, as I outlined earlier, in multiple countries.
If I can capture truth in its simplest form, beauty will follow like a sledgehammer.
While THE NEW COOL takes the reader inside a season, limns a team and coaching staff, and masterfully recounts a gripping competition, this is anything but your conventional sports book. And not simply because the 'big game' is...a curious robotics contest. Like the kids he vividly captures, Neal Bascomb has himself performed a masterful bit of engineering here.
The Petraeus-Crocker testimony is the kind of short-lived event on which the Administration has relied to shore up support for the war: the 'Mission Accomplished' declaration, the deaths of Uday and Qusay Hussein, Saddam's capture, the transfer of sovereignty, the three rounds of voting, the Plan for Victory, the death of Abu Musab al-Zarqawi. Every new milestone, however illusory, allows the Administration to avoid thinking ahead, to the years when the mistakes of Iraq will continue to haunt the U.S.
My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio.
I met Peter Brook, the theater director, who's been based in Paris for many years at the Bouffes du Nord. I admire him tremendously. Some years ago, he was in New York, and he gave an interview with The Times, and what he said was this: "In my work, I try to capture the closeness of the everyday and the distance of myth. Because, without the closeness, you can't be moved, and without the distance, you can't be amazed." Isn't that extraordinary?
The Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.
I like drawing most everything I see, but sometimes the light will hit something in a certain way that I just cannot capture the thing the way I would like with a drawing, so I think taking a picture might be the way to document what I am seeing better.
A place like Sound City, which was just a big, beautiful room where you would hit record and capture the sound of the performer - a place like that isn't necessarily in demand anymore.
But one thing that we have done in the last four years is we have really put pressure on the leadership of this organization [Al Qaeda]. We have killed a significant number of leaders. We've captured others. Those that remain have to look over their shoulders, they have to be on the run. So that even if we don't manage to kill or capture them all within four years, what we do do is put the kind of pressure on them that makes them focus on their own skins, as opposed to carrying out attacks.
I think everybody on this planet does that - trying to capture your dream after you wake up.
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