Recently I quit caffeine. My doctor seems to think that 17 Diet Cokes per day is too much. In case you ever consider getting off caffeine yourself, let me explain the process. You begin by sitting motionlessly in a desk chair. Then you just keep doing that forever because life has no meaning.
Civilization is drugs, alcohol, engines of war, prostitution, machines and machine slaves, low wages, bad food, bad taste, prisons, reformatories, lunatic asylums, divorce, perversion, brutal sports, suicides, infanticide, cinema, quackery, demagogy, strikes, lockouts, revolutions, putsches, colonization, electric chairs, guillotines, sabotage, floods, famine, disease, gangsters, money barons, horse racing, fashion shows, poodle dogs, chow dogs, Siamese cats, condoms, peccaries, syphilis, gonorrhea, insanity, neuroses, etc., etc.
I have had national security background, 10 years on the Intelligence Committee, the last two years as chair.
Breaking my neck was the best thing that ever happened to me. I have an Olympic medal. I've been to so many countries I would never have been, met so many people I would never have met. I've done more in the chair, ... than a whole hell of a lot of people who aren't in chairs.
I sometimes, in my sprightly moments, consider myself, in my great chair at school, as some dictator at the head of a commonwealth. In this little state I can discover all the great geniuses, all the surprising actions and revolutions of the great world in miniature. I have several renowned generals but three feet high, and several deep-projecting politicians in petticoats. I have others catching and dissecting flies, accumulating remarkable pebbles, cockleshells, etc., with as ardent curiosity as any virtuoso in the Royal Society.
Jesus is interested in changing cultures, not just putting bodies in chairs.
In life, you gotta do something. And the medical journals keep on saying if you've got a goal or some passion in life, you'll outlive all the other guys who - the bank manager that retired. They gave him a rocking chair and he rocked himself to death. So you gotta have a passion, whatever it happens to be. Whether it's this or something else, it doesn't matter, as long as it's a reason to get out of bed every morning, as my accountant of 50 years keeps on saying.
He sits in an old armchair in the corner covered with bits of blankets and a bucket behind the chair that stinks enough to make you sick and when you look at that old man in the dark corner you want to get a hose with hot water and strip him and wash him down and give him a big feed of rashers and eggs and mashed potatoes with loads of butter and salt and onions.I want to take the man from the Boer War and the pile of rags in the bed and put them in a big sunny house in the country with birds chirping away outside the window and a stream gurgling.
Between the years of ninety-two and a hundred and two, however, we shall be the ribald, useless, drunken, outcast person we have always wished to be. We shall have a long white beard and long white hair; we shall not walk at all, but recline in a wheel chair and bellow for alcoholic beverages; in the winter we shall sit before the fire with our feet in a bucket of hot water, a decanter of corn whiskey near at hand, and write ribald songs against organized society... We look forward to a disreputable, vigorous, unhonoured, and disorderly old age.
The whole thing is you don't want to be pigeon-holed as 'Oh, he's a guy in a wheel chair. He's very fragile. You better watch out.
Playing college soccer was going to be the top of my athletic feats. I wasn't going to the Olympics. I was a decent player, but it's because of hard work, not because I was Freddy Adu. I wouldn't have a medal from the Olympics if I wasn't in a chair. I wouldn't have gone to the Olympics and experienced the whole atmosphere.
Humourists lead... an existence of jumpiness and apprehension. They sit on the edge of the chair of Literature. In the house of Life they have the feeling that they have never taken off their overcoats.
I think there's nothing worse than inertia. You can inert and study your navel and gradually you'll fall off the chair. I think the key is to keep flying.
I've done films where you have to get in shape for purely vanity reasons, when you read a script, turn to page 87 and it says: "Rips his shirt off and casually throws it onto chair" - and you're going to go to the gym the next day because nobody wants to see your big fat arse out there taking your shirt off!
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
I quite like it to be risky. I'm not ready to sit down in a chair with my name on it yet. I've arrived at that point in the art world where there really is a chair that you sit in.
You never know what's going to happen, so I get up at 6 a.m. every morning. It's a new wakeup call for me, for sure. But you just want to be polished. That way, if anything happens, I'm ready to go. I'm not going to sit in a makeup chair for an hour and be like, "Then I'll go get the story."
I can only work between the hours of 8:30 and 4:30, because that's when the kids are at school. So I get to do all my work and have all of my fun in that time, which means just sitting on a chair, typing, alternately clicking between writing a column and being on Twitter, and smoking as many cigarettes as I can before my lungs give out.
There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
You can't sit on two chairs at once.
Keelhaul the poets in the vestry chairs.
I love the theater of the mind because you can go anywhere. You can say anything, and you pull people in. [You] can be jumping out of a window or riding a cow or having bubble-wrap sex or spraying your body with Pam and sliding out of your chair.
My father died when I was 10; my sister got polio a couple of years later and was paralyzed. So there I was - my sister in a wheel chair, my father gone, and my mother a quiet little mouse. You see, it was the '30s in the South, so my mother was not prepared to cope. So I was scared to death. And being that scared, everything afterward became a struggle not to go down the drain. Struggling became a way of life for me.
Across the room, she heard a loud clatter. She looked up to see that Roland ahd fallen out of his chair. The last time she'd glanced at him, he'd been leaning back on tw legs, and now it looked like gravity had finally won. As he stumbled to his feet, Arriane went to help him. She glanced over and offered a hurried wave. "He's okay!" she called cheerily. "Get up!" she whispered loudly to Roland.
(As she entered the main room, Syn turned around in his chair and almost fell out of it as he scanned her body. He cleared his throat and cut an appreciative look to Nykyrian.) Dayum…woman be hot. (Syn)
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