Cinema Quotes - Page 32

• The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.

  Brian Cox

  Spiritual, Educational, Marketing

  "Biography/Personal Quotes". www.imdb.com.

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• There are thus two tasks for the Mass Media division of Unesco, the one general, the other special. The special one is to enlist the press and the radio and the cinema to the fullest extent in the service of formal and adult education, of science and learning, of art and culture. The general one is to see that these agencies are used both to contribute to mutual comprehension between different nations and cultures, and also to promote the growth of a common outlook shared by all nations and cultures.

  Julian Huxley

  Art, Agency, Media

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• J.K. Rowling is a talented storyteller, but she has also used the style and technique of modern television and cinema media, which seizes the imagination by pummelling it, bombarding it with powerful stimuli, in a rapid pace, with plenty of emotional rewards.

  Michael O'Brien

  Powerful, Emotional, Media

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• Cruel men cry easily at the cinema.

  Graham Greene

  Men, Sentimental, Cry

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• I never got in this business, in cinema, to make horror movies. They arrived on my doorstep and I got typecast. Which was fine, I enjoy it, but I got into this business to make westerns. And the kind of westerns I used to see, they died. So that didn't work out.

  John Carpenter

  Work Out, Kind, Horror

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• I turn a lot of stuff down - big, big movies, the kind I wouldn't want to go to the cinema to see.

  Matthew Fox

  Want, Stuff, Kind

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• Feudal societies don't create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don't fall into 'Everybody in their place and who's who,' and all that. But the theatre's full of that.

  Brian Cox

  Fall, Egalitarianism, Theatre

  "Biography/ Personal Quotes". www.imdb.com.

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• Horror has been a genre since the beginning of cinema, all the way back to the days of silent films. I don't think it will ever go away because it's so universal. Humor doesn't always travel to other countries, but horror does.

  John Carpenter

  Country, Thinking, Silent Films

  Source: www.interviewmagazine.com

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• To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.

  Wim Wenders

  Fun, Italian, Littles

  Source: www.interviewmagazine.com

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• I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures.

  Wim Wenders

  Mom, Reading, Italian

  Source: www.interviewmagazine.com

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• My father used to say that you could only access culture before cinema by learning to read and write, but that once cinema was invented, knowledge was available to anybody.

  Isabella Rossellini

  Father, Writing, Culture

  Source: www.theguardian.com

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• My films are doing well in Polish cinemas, so I don't really have problems financing them, and my international accolades are helpful.

  Malgorzata Szumowska

  Helpful, Problem, Film

  Source: blogs.indiewire.com

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• When I go the cinema, unfortunately nowadays, especially with the big commercial films, the audience is spoon-fed through the entire experience and they don't have to do any work.

  Michael Fassbender

  Spoons, Film, Bigs

  "X-Men: First Class - Michael Fassbender interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• I believe that if you go and see a film you should have to sort of invest something yourself and you have to do a little bit of the work as an audience member, so when you leave the cinema you should be having those conversations either with yourself - if you're crazy like me- or with friends afterwards.

  Michael Fassbender

  Crazy, Believe, Should Have

  "X-Men: First Class - Michael Fassbender interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.

  John Lasseter

  Art, Thinking, Good Movie

  Source: www.movieweb.com

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• The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.

  William Friedkin

  Real, Guy, Trying

  "EXCLUSIVE: William Friedkin Revisits To Live and Die in L.A. on Blu-ray". Interview with B. Alan Orange, movieweb.com. February 19, 2010.

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• I think the thing that I love the most about working in the digital cinema is that you're only limited in your cinematic technique by your imagination - you're not restricted by the physical laws of nature. You don't have to worry about physically moving a 50lb camera through space, or worry about shadows and rigging.

  Robert Zemeckis

  Moving, Thinking, Law

  Source: www.indielondon.co.uk

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• Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema.

  Ray Winstone

  People, Way, Problem

  Source: www.indielondon.co.uk

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• But then when you go through the process of making the film and you sit in the cinema two years later and your jaw hits the floor, it's quite sad in a way because you're looking at yourself - facially anyway - and see the way you looked when you were 20.

  Ray Winstone

  Years, Two, Way

  Source: www.indielondon.co.uk

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• I am very sensitive to all form of music, painting, sculpting, dancing, and I love cinema also. For example if I look at the work of the dancer Mikhail Baryshnikov, who happens to be a friend of mine, everything he does is inspiring to me.

  Philippe Petit

  Dancing, Dancer, Example

  Source: collider.com

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• I just really hope that Peter Jackson and New Line Cinema can resolve all their differences. I'm hoping that's going to happen, but we'd have to wait and see. I would love to explore Middle Earth again with Peter.

  Karl Urban

  Differences, Waiting, Earth

  Source: www.movieweb.com

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• It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.

  Deepa Mehta

  Children, Years, Play

  Source: www.movieweb.com

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• We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...

  Simon Pegg

  Stars, War, School

  "Nick Frost, Simon Pegg, and Edgar Wright of Hot Fuzz". Interview with Keith Phipps, film.avclub.com. April 18, 2007.

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• The revolution of video had a massive affect. We grew up in a time where suddenly you could own films. Before, they had a theatrical run, and then perhaps they'd come back, or you'd catch them in a retro cinema.

  Simon Pegg

  Running, Video, Revolution

  "Nick Frost, Simon Pegg, and Edgar Wright of Hot Fuzz". Interview with Keith Phipps, film.avclub.com. April 18, 2007.

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• France can compete with the Hollywood studios in terms of animation savoir-faire, but not in terms of box-office figures. France is a small country, and the Americans are the masters of the world - for cinema, it's true.

  Michel Ocelot

  Country, Office, Hollywood

  Source: www.hollywoodreporter.com

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