The ground swell is what’s going to sink you as well as being what buoys you up. These are clichés also, of course, and I’m sometimes interested in how much one can get away with.
I think to be oversensitive about cliches is like being oversensitive about table manners.
There is a cliche that men want their women to be ladies in public and hookers behind closed doors. I want my woman to be the sharper image robot so that she can be turned off.
I am against the whole cliche of the moment.
Writers tell stories better, because they've had more practice, but everyone has a book in them. Yes, that old cliche.
It is a cliche these days to observe that the United States now possesses a global empire - different from Britain's and Rome's but an empire nonetheless.
When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
Choose something you like to do. I know its a cliche, and youve heard it over and over. But the reason is, youre going to have to work long and hard to achieve any success. You better like it or life is going to be terrible.
I just think the word interview, although it is the view between two people exchanged, became a sort of cliche. You ask questions and the other one answers.
Because of its vitality, the computing field is always in desperate need of new cliches: Banality soothes our nerves.
If you want to use a cliche you must take full responsibility for it yourself and not try to fob it off on anon., or on society.
I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.
My interests were aroused, and my faith in the cliches of the subject destroyed, as so often with other subjects, by the discussions with my friend, Aaron Director.
The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren't cliche.
You need cliches. Cliches are what people respond to.
If your mind is at work, we're in danger of reproducing another cliche. If we can keep our minds out of it and our thoughts out of it, maybe we'll come up with something original.
Let's have some new cliches.
Last, but not least, avoid cliches like the plague.
There is an old cliche, 'You can see the glass half empty, or you can see it half full.' You can focus on what's wrong in your life, or you can focus on what's right. But whatever you focus on, you're going to get more of. Creation is an extension of thought. Think lack, and you get lack. Think abundance, and you get more.
The great enemy of truth is very often not the lie--deliberate, contrived and dishonest--but the myth--persistent, persuasive and unrealistic. Too often we hold fast to the cliches of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.
Good things come to those who wait.
Good things come to those who hustle
All things come to those who wait.
All good things come to those who wait.
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