If I'm going to go to the opera, I want to see the costumes and the melodrama.
47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.
...and there I suddenly found my articulate self in a dazzling land of smiling, jostling people wearing and not wearing all sorts of costumes and doing all sorts of clever things. And that's when I knew! What other life could there be but that of an actor?
So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.
It's always fun messing around with costumes and stuff. You know there is an element of acting that you've got to dress-up; that's part of it.
It's a real testament to the amount of skill and talent involved, across the board, whether it's the production design, the construction, the costume design, the other actors, the way it's shot, the directors we had on it, or obviously John's writing. When things do go well, it sometimes seems easy, in a weird way, but it's actually down to a lot of cogs working in a big machine. But, I'm certainly happy to be going back. I'm excited to carry on.
Cause a costume can be comfortable It can make you feel more beautiful It can even make you look like someone else But it's still you, so there's nothing you can do Like a bad habit, the one you couldn't kick, there it always is And it's nothing that no doctor's gonna fix.
The Dutch at close proximity looked much like Americans, apart from their peculiar uniforms, and so it was their uniforms I fired at, half convinced that I was killing, not human beings, but enemy costumes, which had borne their contents here from a distant land; and if some living man suffered for his enslavement to the uniform, or was penetrated by the bullets aimed at it well, that was unavoidable, and the fault couldn't be placed at my feet. The private charade was not equivalent to Courage, but it enabled a Callousness that served a similar purpose.
It took me a while to warm to the '20s costumes on 'Downton.' I love it when women accentuate their curves, and that era was all about hiding them. The shapes they wore then were in tune with female empowerment. Cutting off their hair and hiding their busts was a way of saying, 'We're equal to men!'
I just love doing costume dramas; I am very lucky, as I see myself as a part-time time traveller.
What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.
What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
We post photos of the Halloween costumes and the mustaches made of cupcake frosting. We don't record the tantrums?and that's as it should be. But we shouldn't mistake that for reality. It's stagecraft.
Nothings makes a woman look older that a rich costume.
What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen he's become a different person.
KILT, n. A costume sometimes worn by Scotchmen in America and Americans in Scotland.
A lot of movies try to set up a world with cool sets, costumes, camera work. In Brick, the world is born from the words.
I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.
I'll tell you...why Wonder Woman worked. Or Bionic Woman. Or any of those [shows] really. It was because it wasn't about brawn...it was about brains. And yes, she happened to be beautiful, she happened to be kind of extraordinary in some way, but she wasn't a guy. And I think that, [now], they...put out a female hero, and all they are doing is changing the costume from a man to a woman...they're not showcasing any of the tremendous dichotomies than women possess in term of softness and toughness, sweetness and grit, inner and outer strength.
My objects dream and wear new costumes, compelled to, it seems, by all the words in my hands and the sea that bangs in my throat.
No matter where they are or who they're with, dogs are incapable of being anything but themselves. Show me a dog that puts on airs or laughs politely at an unfunny joke and I'll show you a human in a dog costume, possibly one owned and licensed by the Walt Disney Company.
A simple garb is the proper costume of the vulgar; it is cut for them, and exactly suits their measure, but it is an ornament for those who have filled up their lives with great deeds. I liken them to beauty in dishabille, but more bewitching on that account.
Tales of adultery are much improved by period costumes.
Everyone goes to the 'Grands-Boulevards' (in Paris, ed.) and let himself loose... ...Do not picture these in costume, they are not for the most part... ...perhaps a clown with a big nose, or two girls with bare necks and short skirts... ...the parade of the queens of the halls (markets) is also one of the events... ...Some are pretty but look awkward in their silk dresses and crowns, particularly as the broad sun displays their defects - perhaps a neck too thin or a painted face which shows ghastley white in the sunlight.
I don't think I ever said, "I want to be an actress." But for Halloween, I dressed up as a movie star from when I was seven to when I was twelve. The costume was always a long dress, with makeup, and my hair curled, and jewelry on. And the movie star was always Jenny McCarthy. So right there you could see a little pattern.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: