To operate а tank as a crew, it's not about five individuals. It has to be one organism, composed of five people.
In the past, heartland whites with some kind of dream or desire left their towns for cities to become citified. They wanted to get away from religion, from their families, they wanted to come out, make art, have sex, have experiences. But this new crew was something we had never seen before. They were the first generation of suburban Americans. They came, not to be citified, but rather to change cities into places they could recognize and dominate.
Pirates of the Caribbean, move over! Make room for a crew of mouse-privateers who will capture your hearts and stop your breath with their thrilling sea-going adventures! A wonderful story, full of bold mice, good and wicked, who will show you what courage really means.
If you can get the crew to laugh on a show, you know that you're doing something.
I watch reality TV , but unless you have been part of that crew, unless you've sort of been immersed in that culture in what's happening, unless you have been in that concentrated moment, you wont believe it unless you're there. And with 'Ton of Cash' we just hope that we captured all of the best moments.
It's important that we recognize how extreme the Republicans are in almost every case and how against our self-interest it is to vote for them whether or not we are disappointed with the current crew. At least they believe in the Constitution. At least they have an idea of economic justice. The Republicans are devoted to creating more rich folks.
You never compete with the people in your crew; you have your own team. Competition is only with those people whose film is releasing alongside on Friday and never with one's own team.
How does newness come into the world? How is it born? Of what fusions, translations, conjoinings is it made? How does it survive, extreme and dangerous as it is? What compromises, what deals, what betrayals of its secret nature must it make to stave off the wrecking crew, the exterminating angel, the guillotine? Is birth always a fall? Do angels have wings? Can men fly?
Battles I lose none I make crews run I get fools done, got ten fingers but only use one
Erie, and Ontario, and Huron, and Superior, and Michigan possess an ocean-like expansiveness, with many of the ocean's noblest traits... they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.
I wanted to be in the FBI. I also wanted to be a pie salesman. It was so intense that the studio got the prop department to make a little pie wagon and they filled it with tarts. I wheeled it around the set and sold them to the crew. I was about eight years old. I always sold out and I didn't have to pay for them. It was a great deal.
I liked work shoes and big, working-class hands. The stars would come and go, but the crew on my movies was my extended family.
We see many instances of cities going down like sinking ships to their destruction. There have been such wrecks in the past and there surely will be others in the future, caused by the wickedness of captains and crews alike. For these are guilty men, whose sin is supreme ignorance of what matters most.
[Serialism] is like a sailless ship, driven out to sea by its captain, who has grown tired of its being used only as a pontoon, and who is privately convinced that by subjecting life aboard to the rules of an elaborate protocol, he will prevent the crew from thinking nostalgically either of their home port or of their ultimate destination.…
The captain, thinking over this event afterward, realized that by his own lifelong standards he had a crew composed entirely of lunatics, with himself well to the front in degree of aberration; but he was fairly sure that this particular form of insanity was going to be useful.
My understanding of the way sex scenes work is that you're surrounded by crew, and you're cold, and you have to do it eight times 'cause they didn't get the lighting. It doesn't sound pleasant, but you think that actors actually enjoy it?
There is a sort of creative purity in an independent film, in the passion of the director, the passion of the crew. They're not getting a whole lot of money, so you know they are not there because they want to get rich. Instead, they are there because they want to make a movie. In the bigger films, I remember when I used to do those, it's just a job for a lot of people, so there is less of an intense energy devoted to the whole project.
That's the first rule of command; be consistent! You can be sadistic, you can be lazy, you can be stupid, but if you're consistent the crew will still let you sit in when they play dominoes.
Being on a set where the director has lost control is just sickening. No one goes the extra mile, theres a lot of eye-rolling... it just breeds inertia. If a director is in control, the crew follow their leader. But the second anyone senses the directors are not sure, people just swoop in.
I don't know about you, but I love showing my ass to a crew of 300 that I've been working with.
I don't need 15 houses. Owning real estate doesn't mean much to me. I don't like to think about things like that. I don't need 12 boats, or even the world's largest boat with a crew of 80. I'd have to take care of them, to worry about them. I get a lot more fun out of life without all the bells and whistles.
It's a lot harder to keep your cool than it is to lose it. That's on any work ethic. Even if you're a big producer on a movie set, or whatever, it's a lot harder to be a pro than be a baby on your crew. That's one work ethic to keep in mind, as one bad apple could give five people a bad day, when that one person could've stepped up their own efforts a little more and not bring anyone else down.
When I was a kid, I used to live in New York City. There was a guy named Michael Alig. He used to throw parties. And a couple of times, I even worked for him and his crew, and handed out fliers, and had my super-high shoes on, and wearing silver Saran Wrap around my head or something. It's a world I was really comfortable in: a world full of individuals. I think what I like about that world - besides my own personal interests - is the individualism, the investment in the self.
You don't have to have all this film stock, you can work faster, and you don't need a giant crew. It's great.
I'm getting so old - it's more uncomfortable to do those scenes now than when I was 20. I mean, I don't have a big problem with nudity on screen. But usually the days when you do those naked love scenes are the weirdest ones on set. Everyone is uncomfortable. You're like, 'Hi. How are you?' Then the next minute you're with an actress who you don't know and you're pretending to make love to her in front of all the crew. The acting challenge is pretending things are OK.
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