Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.
All the best movies are the ones that are cut from a more middle ground.
But look at Avatar (2009), one of the most globally viewed pieces of entertainment to have ever been made - the central emotional event of the whole movie was a tree being cut down. And the entire movie, essentially, is saying, "If we let the military industrial complex trash the place that we're living in, we will have committed an epic crime."
There are certain things that cut right to the bone, but as an actor you have to because you get turned down for things all the time. I have a friend who was told he didn't get a job because he was too hairy. I've never heard anything that bad, but you have to get used to that sort of thing.
It's okay for someone to chase me and then try to cut me off so I ram my car into a tree . . . I mean, I know this guy was trying to do his job, but his "job" almost landed me half-dead.
If you take a big epic novel and you shoot it, when you get to the editing room you notice that it has 2 million climaxes, which fill the whole 90 or 100 minutes. Then you realize you can't cut them out because if somebody is dying and you cut that out it seems like they just disappear from the film.
I always say, I'm a woman, I can't change my sex. I can't get angry about it. I'm too busy desperately trying to get my movies made. It's hard work. There are no short cuts. If there were, I would have found them by now.
If you're doing something new there is always a sense of fear or foreboding, but you're in new ground and you have to get out your machete and cut a new path.
For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.
I think in my case winning fans came as a result of winning tournaments. Certainly, I didn't have too many supporters when I came on Tour. I didn't look like an athlete, I was overweight, had a crew cut, baggy clothes and on top of that I didn't smile much. I was very serious about my game, literally and figuratively the heavy.
There has been a seismic shift in the business world. The great classical business principles still hold true but they need to be fused with cutting edge internet technology.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
I am adamant that we must not cut back on funding of the teaching of the arts in the schools: music, painting, theater, dance, all of it. The great thing about the arts is that the only way you learn how to do it is by doing it.
I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.
Given that you're meeting a sloth, that feeling is generally joy, excitement, warmth, and love. What do those feelings smell like, you ask? Like laundry, watermelon rind, the top of a baby's head, boiling water, and fresh cut grass all mixed together.
Even if you need, and want, a second opinion, it can be dangerous to have people telling you what they think you ought to add, or cut, before you've even finished telling your story. One loses heart; one loses energy and interest. Or at least I do.
Jazz celebrates older generations and not just the youth movement. When you "sell" only to people of a certain age, you get cut off from the main body of experience. The power of couple dancing and courtship, it's elegant, and you wouldn't realize America was once a nation of dancers and singers today. People of all races could dance and sing.
Usually, those people don't even like actors and they can't wait until they get in the cutting room. They kind of break down in categories: directors who like to be surprised and some of them abhor being surprised. As far as directing, we all direct when we're acting in movies... every single one of us.
We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
Out of time we cut 'days' and 'nights', 'summers' and 'winters.' We say what, each part of the sensible continuum is, and all these abstract whats are concepts. The intelletual life of man consists almost wholly in his substitution of a conceptual order for the persceptual order in which his experience originally comes.
Modern physics has taught us that the nature of any system cannot be discovered by dividing it into its component parts and studying each part by itself... We must keep our attention fixed on the whole and on the interconnection between the parts. The same is true of our intellectual life. It is impossible to make a clear cut between science, religion, and art. The whole is never equal simply to the sum of its various parts.
Think of how strange we'd look if all the cuts, burns, scrapes, bruises, scratches, bumps, gashes, and scabs we ever had suddenly reappeared on our bodies at the same time.
An across-the-board, top-to-bottom cut in personal and corporate income taxes ... to expand the incentives and opportunities of private expenditures.
Every time you're exposed to advertising in America you're reminded that this country's most profitable business is still the manufacture, packaging, distribution, and marketing of bullshit. High-quality, grade-A, prime-cut, pure American bullshit.
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