Let's bring it up to date with some snappy nineteenth century dialogue.
By blood and faith, Jews are God's chosen, and have no need for 'dialogue' with any gentile.
Every religion contains, in varying degrees, elements of the soft and the hard. For the sake of world peace, dialogue within religions and among them must strengthen the softer aspects.
In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
Many writers struggle with exposition in their novels. Often they heap it on in large chunks of straight narrative. Back story – what happens before the novel opens – is especially troublesome. How can we give the essentials and avoid a mere information drop? Use dialogue. First, create a tension-filled scene, usually between two characters. Get them arguing, confronting each other. Then you can have the information appear in the natural course of things.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.
There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
I remain convinced that most human conflicts can be solved through genuine dialogue conducted with a spirit of openness and reconciliation.
It is neither a culture of confrontation nor a culture of conflict which builds harmony within and between peoples, but rather a culture of encounter and a culture of dialogue; this is the only way to peace.
Artists can help re-imagine a conflict and start a dialogue.
Jihad and the rifle alone. NO negotiations, NO conferences and NO dialogue
When we face problems or disagreements today, we have to arrive at solutions through dialogue. Dialogue is the only appropriate method. One-sided victory is no longer acceptable. We must work to resolve conflicts in a spirit of reconciliation and always keep in mind the interests of others.
One must not be afraid of a little silence. Some find silence awkward or oppressive. But a relaxed approach to dialogue will include the welcoming of some silence. It is often a devastating question to ask oneself, but it is sometimes important to ask it - 'In saying what I have in mind will I really improve on the silence?
There is a quality of lightness, easiness, and in some sense blatant unseriousness that pervades Classical Christianity's dialogue with modernity. The Christian intellect has no reason to be intimidated in the presense of later-stage modernity. Christianity has seen too many 'modern eras' to be cowed by this one.
In solitude a dialogue always arises, because even in solitude there are always two.
One can feel the immense joy of Amy Hill Hearth's engagement in her first novel. It radiates through every scene and through every page. Sometimes, an exceptional writer finds an exceptional premise, and the result is a truly exceptional book. Such is the case with Miss Dreamsville...The writing is brilliant, especially the dialogue through which the characters are defined.
You must fight others, but through peace, and through dialogue, and through education.
The discernment of a vocation is above all the fruit of an intimate dialogue between the Lord and his disciples. Young people, if they know how to pray, can be trusted to know what to do with God's call.
In the silence of the Cross, the uproar of weapons ceases and the language of reconciliation, forgiveness, dialogue and peace is spoken.
I loved working with Valerie. That was the most wonderful revelation to find that when we are on a set and we're playing our roles, we're like separated twins. We can almost finish each other's dialogue.
We can inspire others through witness so that one grows together in communicating. BUt the worst thing of all is religious proselytism, which paralyses: 'I am talking with you in order to persuade you.' No. Each person dialogues, starting with his and her own identity. The church grows by attracting, not proselytizing.
Correction of Earlier Entry: 8/01/12We read over the shoulders of giants; books place us in dialogue not just with an author but with other readers.
I think what's really happening is that a dialogue opens up between the ego and these larger, more integrated parts of the psyche that are normally hidden from view.
Growing up the son of a director has made me very aware of the various turns that a directing career can take. Sometimes your films turn out exactly as you want. Sometimes they don't. I spent a lot of my childhood on sets. I think as a joke, my father gave me a line of dialogue in each of his films during the worst moments of my puberty.
Labels such as, 'evangelical', 'fundamental', 'charismatic', 'liberal' contribute to polarization and produce a climate of implied or outspoken distrust. Respectful dialogue becomes virtually impossible. What we desperately need to offset this disunity and distrust is a new and cleansing theology of communication.
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