I write in the mornings, in the bright daylight. But I get most of my good ideas after the sun has gone down and the dark is on the land.
If you sit down and talk to a person, it's easy to convince him that apartheid can never save a country and will lead to the slaughtering of innocent people - including his own people.
It's a very simple example to show that if you miss one step in a process in can cost you an enormous amount of time and money to fix. With a checklist, you can write it down and give it some someone else for them to do successfully. Checklists require discipline and organization, which is something internet marketers have to master.
We the people, so to speak, need to realize that if we can keep ourselves fed, we might get through this long dark tunnel of power down, and mitigate the consequences of CO2.
"I can't believe you recently had a baby. How do you do it?" The baby starts to come down...and once that happens you can't-it comes out. Whether you let it or not, the baby comes out. So that's how I did it.
No one is more himself than the moment when he's laughing at a joke. It's at those moments that people's defenses go down, and that's when you can slip in a good idea.
As you go higher up in the ladder, you look down, and it's a pretty far fall, so you tend to watch your step a bit more. That's all you can do. It's a full time job not to kill these niggas out here; every day I ask for the strength not to go off the handle and whack one of these stupid cunts.
I'm going to be cremated from the neck down. And at my funeral, when people are talking about me, they have to hold my head. And then at the end, they have to kick me into the audience and the audience has to keep me up for at least three hits or you have to start the whole service over. No cradling it - I want legit sets.
I love to make music that makes people feel mood-enhancing, life-affirming brilliance but I just make whatever comes out at the time and sometimes it's up and sometimes it down and sometimes it sideways with a hint of s smile.
In competition, everything is very well planned in advance and very well detailed. You just stick to the plan, keep your head down and be as disciplined as possible in every aspect, whether sleep, recovery or the intensity of your training. And it's all recorded; the data is analysed.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
Everything I did was practical. You have to strip things down and get to the practical stuff.
You've got to focus and understand that what you've done in training is the best that you could possibly do. Once you've done that you can really settle down and let your body take over.
Education is fantastic. In my case I had to split my university course so it took a few more years. I really want to excel at everything I do, so I sat down and spoke with both my swimming coach and my tutor and we worked out a good plan to get the best out of both my swimming and my education.
At the start of each year I sit down and look at both calendars and plan it that way. Obviously sometimes there are some overlaps but I have to be organised. At the moment motor racing is taking precedence and I have been quite lucky this year in picking and choosing.
I find a ton of inspiration from the artists that I'm writing with, that I'm playing shows with, and that I'm sitting down and having coffee with.
The beauty of having a studio is I can go in and record any time I want to, so you can always put down your ideas or whatever. You use your voice recorder and, you know, take your voice notes down and just preserve all the little jewels and gems when you're in there, putting that song together.
Music is how I get free. It's a way to shut the rest of the world down and create your own world within it. I'm not thinking about what's going on around me. It's definitely an energy thing, and I'm in a zone.
If the suns come down, and the moons crumble into dust, and systems after systems are hurled into annihilation, what is that to you? Stand as a rock; you are indestructible. You are the Self, the God of the universe. Say - "I am Existence Absolute, Bliss Absolute, Knowledge Absolute, I am He," and like a lion breaking its cage, break your chain and be free forever. What frightens you, what holds you down? Only ignorance and delusion; nothing else can bind you. You are the Pure One, the Ever-blessed.
When I create I don't think in technical or mathematical terms until the idea is formulated Musical composition is formulated in improvisation. Once a pianist like myself sits down and begins to play and start thinking about what I am writing all of a sudden a little tune will emerge, a little spot light and I'll go, "That's interesting."
Being a mother has absolutely forced me. You have to write things down and have systems for all of it. And then you set up systems and you realize they don't work.
What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.
When I started to get older and I thought, "Well, you know now I'm kinda ready to settle down. And I really want to give to children now." Because I feel like I've done everything that I wanted to do in my entire life.
I will never again go to people under false pretenses even if it is to give them the Holy Bible. I will never again sell anything, even if I have to starve. I am going home now and I will sit down and really write about people.
There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.
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