I don't believe every download is a lost sale.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.
I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update. If you're going to read a quick mystery novel to keep you amused while you're traveling, it's fine.
When people lose their jobs, they can either get another job or be entrepreneurs. In the music industry, a lot of people have attempted the latter by starting their own labels, but in the age of digital downloads, it's very difficult to succeed.
I download TV shows more and more, especially from the US.
As far as Love Dare for Parents goes, you can download the book. You can buy it at bookstores...We're really excited about it and believe that it's going to make significant impact for parents.
Eventually there are going to be chips in brains. Imagine if you could just buy knowledge and download it into your head instead of having to learn it. Like in 'The Matrix.' Imagine all the years saved!
One of the things I like about the computer that I use is that I can write a program on it or I can download a program on to it and run it. That's kind of important to me, and that's also kind of important to the whole future of the internet... obviously a closed platform is a serious brake on innovation.
At the end of the day, people have the right to have opinions. I have the right to have an opinion. And I have the right to say what I want on my music 'cause it's my music. If you don't like it, don't click on it, don't download it.
I listen to KCRW in the car and Pandora radio, which I stream through the stereo from my iPhone. I've been listening to everything from Caribou to Conway Twitty. If I'm going on a longer car ride, I'll download some podcasts.
Look at the world of books nowadays. People just download books. They don't go to a bookstore. Amazon is wiping out Borders and Barnes and Noble. Those are brilliant examples of ephemeralization doing more with less at a better price.
I would happy for someone to download my music.
I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.
You can experience a download, but you can't download an experience.
Early Apple machines - don't know how to answer what it was like since there were so few tools. Just had to keep debugging by isolating a problem, looking at memory in the limited debugging (weaker than the DOS DEBUG and no symbols) patch and retry and then re-program, download and try again. And again.
Most people didnt have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my own personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! magazine not because I want to replicate how they look, but because of the meaning they bring to the work.
Everyone loves the idea of internet fast enough that HD movies download in seconds, but if only the telecoms or their partners get to use the high speeds, it's not the internet: It's glorified cable.
I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.
Several groups have information evaluating seafood sustainability. I wrote the first such guide, and seafood pocket-guides and detailed evaluations of different seafoods are available for download from the group I founded, Blue Ocean Institute.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
You know, most people in the open-source world who use open-source software don't actually do builds themselves - those people just download the binaries. And so we expect that the big enterprise people will just do that and we will certainly be providing binaries that have been through full industrial-strength QA, that have been through all the conformance testing.
The whole awards thing is great. Why? Because the Golden Globes, the Academy Awards, they put a focus on the industry, and that focus translates into people buying tickets to see movies or download films, legitimately download them. And it keeps us all at work. So I'm a big fan of award shows.
No one likes to work for free. To copy an artist's work and download it free is stealing. It's hard work writing and recording music, and it's morally wrong to steal it.
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