I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.
Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
When people lose their jobs, they can either get another job or be entrepreneurs. In the music industry, a lot of people have attempted the latter by starting their own labels, but in the age of digital downloads, it's very difficult to succeed.
You can experience a download, but you can't download an experience.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
You can already download any of the religious texts onto electronic mechanisms like a Kindle. But I think many people prefer to hold a book in their hands.
As far as what people think of me, maybe my stuff should just be put online for free downloads when I'm gone.
I think it's kinda funny that all these rappers that used to be gangsters and thugs are telling us not to download their music from the internet, because that's stealing. Wow talk about ironic.
I love my iPad. I'll see television shows that I have missed and I'll download them through iTunes. If there is an older movie that I want to watch right away, I can download that movie and watch it.
As so much music is listened to via MP3 download, many will never experience the joy of analog playback, and for them, I feel sorry. They are missing out.
I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update. If you're going to read a quick mystery novel to keep you amused while you're traveling, it's fine.
I like to think illegal downloads only do real damage to the endless amounts of careless pop music though.
We're going to do a challenge. I'm going to try and download every movie ever made and you are going to try to sign up for Obamacare - and we'll see which happens first.
It’s a shame, but also for kids it’s so easy now for them to download it to their phone and listen to it everywhere. If you go to Lille Eurostar station there is music playing: Why? What’s the point? It’s like showing someone a movie on a small crappy screen. It should be sounding good! There’s a lot of noise pollution, in that sense.
University, as institutions, pre-date the information economy by many centuries and are not for-profit cultural entities, whose reason of existence (purportedly) is to discover truth, codify it through techniques of scholarship, and then teach it. Universities are meant to pass the torch of civilization not just download data into student skulls.
I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
I download TV shows more and more, especially from the US.
Everyone loves the idea of internet fast enough that HD movies download in seconds, but if only the telecoms or their partners get to use the high speeds, it's not the internet: It's glorified cable.
Today, we see some "file sharing" sites that rely on fans uploading cracked copies of ebooks, and which then make money off those books by charging for downloads (via cash subscriptions or advertising). Again: I take a dim view of this. They're making money off the back of my work without paying me.
A lot of things people see as innovative are faddish and fleeting, and I'm simply telling you, staying power like broadcasting has is more important in the end than the latest app you can download.
A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.
Several groups have information evaluating seafood sustainability. I wrote the first such guide, and seafood pocket-guides and detailed evaluations of different seafoods are available for download from the group I founded, Blue Ocean Institute.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
Back in '96, I was on "The Price Is Right" pointing at refrigerators, and "Extra," the TV show, came down. They were the first entertainment entity that put people up on the Internet, so they put my picture up, and America Online called the next day and said I got a zillion or whatever downloads. I didn't know what a download was!
You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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