This is a turf battle. They are saying, 'The songwriters aren't getting paid.' Baloney. Songwriters are getting paid. They're paid sync rights and (mechanical) rights. They aren't getting paid for the public performance in a download because there is no public performance in a download.
Back in '96, I was on "The Price Is Right" pointing at refrigerators, and "Extra," the TV show, came down. They were the first entertainment entity that put people up on the Internet, so they put my picture up, and America Online called the next day and said I got a zillion or whatever downloads. I didn't know what a download was!
When people lose their jobs, they can either get another job or be entrepreneurs. In the music industry, a lot of people have attempted the latter by starting their own labels, but in the age of digital downloads, it's very difficult to succeed.
Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.
The Web is cool, but the library is magic. Where else can the spirit of generations of writers stir your soul? So many writers talk about libraries setting them on their magical paths, it's almost a groaner. But we know it's true. Wander through the stacks and you can feel the dreams, the unique worlds bubbling within each volume. The magic enters you as if by osmosis. On the Web, you may feel clever, lucky and driven to download--but rarely inspired to dream and to write.
I was a huge Sub-Zero guy, but the fact that you can download Freddy Krueger is the coolest thing I've heard of in a very long time.
You can experience a download, but you can't download an experience.
The whole awards thing is great. Why? Because the Golden Globes, the Academy Awards, they put a focus on the industry, and that focus translates into people buying tickets to see movies or download films, legitimately download them. And it keeps us all at work. So I'm a big fan of award shows.
Look at the world of books nowadays. People just download books. They don't go to a bookstore. Amazon is wiping out Borders and Barnes and Noble. Those are brilliant examples of ephemeralization doing more with less at a better price.
I listen to KCRW in the car and Pandora radio, which I stream through the stereo from my iPhone. I've been listening to everything from Caribou to Conway Twitty. If I'm going on a longer car ride, I'll download some podcasts.
At the end of the day, people have the right to have opinions. I have the right to have an opinion. And I have the right to say what I want on my music 'cause it's my music. If you don't like it, don't click on it, don't download it.
I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
I'm not sure if music got a future. We have all these electronic ways to download and steal music and get music, but there's no money in makin' music.
There's one thing you can't download and that's a live performance. And I know how to put on a show, and enjoy performing, and I'll always have that.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
Several groups have information evaluating seafood sustainability. I wrote the first such guide, and seafood pocket-guides and detailed evaluations of different seafoods are available for download from the group I founded, Blue Ocean Institute.
A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.
As so much music is listened to via MP3 download, many will never experience the joy of analog playback, and for them, I feel sorry. They are missing out.
I love my iPad. I'll see television shows that I have missed and I'll download them through iTunes. If there is an older movie that I want to watch right away, I can download that movie and watch it.
I think it's kinda funny that all these rappers that used to be gangsters and thugs are telling us not to download their music from the internet, because that's stealing. Wow talk about ironic.
As far as what people think of me, maybe my stuff should just be put online for free downloads when I'm gone.
You can already download any of the religious texts onto electronic mechanisms like a Kindle. But I think many people prefer to hold a book in their hands.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
A lot of things people see as innovative are faddish and fleeting, and I'm simply telling you, staying power like broadcasting has is more important in the end than the latest app you can download.
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