I love to read. I have a Kindle, and it's nice to be able to download books that people refer.
I don't want to get too involved in marketing budgets, online promotions and download set-ups because it would be a bit like Gertrude Stein mapping out a TV campaign. I want to sing. I want visibility. I am essentially Al Martino, not Seymour Stein.
It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.
I would happy for someone to download my music.
We have to make the physical music a little more valuable instead of just having a download link and a bunch of songs you downloaded from some torrent site. People try to make the music value-less, and I don't think we're going to stop that train, but the one thing that they can't devalue are things that are in the outside world.
Early Apple machines - don't know how to answer what it was like since there were so few tools. Just had to keep debugging by isolating a problem, looking at memory in the limited debugging (weaker than the DOS DEBUG and no symbols) patch and retry and then re-program, download and try again. And again.
Most people didnt have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
No one likes to work for free. To copy an artist's work and download it free is stealing. It's hard work writing and recording music, and it's morally wrong to steal it.
You know, most people in the open-source world who use open-source software don't actually do builds themselves - those people just download the binaries. And so we expect that the big enterprise people will just do that and we will certainly be providing binaries that have been through full industrial-strength QA, that have been through all the conformance testing.
What is a Web year now, about three months? And when people can browse around, discover new things, and download them fast, when we all have agents - then Web years could slip by before human beings can notice.
One of the things I like about the computer that I use is that I can write a program on it or I can download a program on to it and run it. That's kind of important to me, and that's also kind of important to the whole future of the internet... obviously a closed platform is a serious brake on innovation.
Eventually there are going to be chips in brains. Imagine if you could just buy knowledge and download it into your head instead of having to learn it. Like in 'The Matrix.' Imagine all the years saved!
I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
Kids don't go out and buy CDs, they make their own, they download them from the Internet.
Between the record companies being the way they are and the fact that people can just download one song instead of buying a whole album, it's hard to make a good living nowadays.
It was very early, and we were still like beta or alpha stage, and so we started receiving a ton of download. The server became overloaded, and that's when I realized that this had a huge market.
I firmly believe that the next great breakthrough in bioscience could come from a 15-year-old who downloads the human genome in Egypt.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
What we know is smartphones are everywhere and they are rich in data. What we know is that there are apps once downloaded by the consumer that will also in turn download the consumers' contact book. Most consumers don't want that to happen and don't know it's happening.
People think that it's their sovereign right to download music and not have to pay for it.
You will not even have enough time to go online and download all the patches to your computer before it is infected.
I don't believe every download is a lost sale.
There's one thing you can't download and that's a live performance. And I know how to put on a show, and enjoy performing, and I'll always have that.
I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.
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