As far as what people think of me, maybe my stuff should just be put online for free downloads when I'm gone.
You can already download any of the religious texts onto electronic mechanisms like a Kindle. But I think many people prefer to hold a book in their hands.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.
For 500 years the West patented six killer applications that set it apart. The first to download them was Japan. Over the last century, one Asian country after another has downloaded these killer apps- competition, modern science, the rule of law and private property rights, modern medicine, the consumer society and the work ethic. Those six things are the secret sauce of Western civilization.
America Online customers are upset because the company has decided to allow advertising in its chat rooms. I can see why: you got computer sex, you can download pornography, people are making dates with 10 year-olds. Hey, what's this? A Pepsi ad? They're ruining the integrity of the Internet!
Sharing music is not a crime. It shouldn't be. There should be a deeper meaning to making music than just selling downloads.
I'm all for sharing music, but when people can download a whole record and pay nothing for it and then they share it with 100,000 other people, it's breaking down the whole business.
Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.
The forced influence of advertising has given us completely useless TV. You don't want that on the Net. But most on-line information providers need to attract advertising - which slows download times and clutters the screen with windows.
Even if the music industry simply gave away all their music people would complain that they don't have the bandwidth to download all the stuff - the problem would merely shift from availability to distribution.
Publishers see free downloads as threatening the sales of the book.
We're living at a time when attention is the new currency: With hundreds of TV channels, billions of Web sites, podcasts, radio shows, music downloads and social networking, our attention is more fragmented than ever before.
You get to decide what energy you choose to download in any moment. No one but you gets to decide who you wish to be.
If you could download the entire universe in two minutes, would you?
Trust is everything. If I didn't have trust, there would be no downloads, no show, and no business.
The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people’s radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go ’round and ’round.
In this age of quick fixes and microwave mindsets, most of us want what we want, and we want it right now, whether it is instant download speed, instant riches, or an Oompa-Loompa, but just as you can't force the farm to produce a harvest, you can't force your seed of potential to grow until it is ripe and ready.
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.
I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.
I get letters from young people telling me that they're broke and download my albums for free. They ask me what I think about that. I now have a standard line. I tell them, 'I would rather be heard than paid.'
I download music just like anybody else, but it's a weird relationship when you're a musician.
It's much easier to become a hacker now. It was a private community before and you had to find your way in, like tumbling down a rabbit hole. Today, there are all-in-one desktops fully equipped with tools pre-built into the operating system, all related to hacking. They are all very powerful tools and free to download.
The collectability of music is something lost in the age of MP3s and album downloads. Holding an album in your hands and having the full-sized artwork reconnects the artist and the listener.
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