Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
When my mother gets a prompt 'Do you want to download this?' she's going to say yes. It's disingenuous for Microsoft to give you all of these tools with which to hang yourself, and when you do, then say it's your fault.
It's not the size of the hard drive that counts, it's how you download it.
People love to hear music on their personal devices, but the issue really becomes, if you're able to download music, you should know this download and the quality of it is going to be of the highest, and that it has a value to it and on it.
When I lost my faith in people I put my trust in things To avoid the disappointment Trusting people brings... I tried to do it all myself then Surrounded by my stuff All I found were limitations I could not rise above There are gadgets and contraptions Immaculate machines There's a program you can download now That will even dream your dreams It'll even dream you dreams For a monthly fee Clear up your complexion You get a hundred hours free Possessions cannot save you.
I like to be challenged with language, so I start to do texts for my blogs that people can download, can spread. There is no commercial interest behind it. It's only for fun, like doing something that you really enjoy to do. I have texts that I write specifically for the internet and I put them there. I am interested in how readers also respond to the texts that I write to them.
I used to spend $25,000 of my own money on my short films, and I wouldn't make that back, not even close. So I think the Vimeo thing, because it's pay to download, that helps
I beat my sons in real-life table tennis, but virtually, I get murdered. I download games on the iPhone that I'm addicted to - I'm a master at "Angry Birds."
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.
I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.
I get letters from young people telling me that they're broke and download my albums for free. They ask me what I think about that. I now have a standard line. I tell them, 'I would rather be heard than paid.'
I download music just like anybody else, but it's a weird relationship when you're a musician.
It's much easier to become a hacker now. It was a private community before and you had to find your way in, like tumbling down a rabbit hole. Today, there are all-in-one desktops fully equipped with tools pre-built into the operating system, all related to hacking. They are all very powerful tools and free to download.
The collectability of music is something lost in the age of MP3s and album downloads. Holding an album in your hands and having the full-sized artwork reconnects the artist and the listener.
You'll find i-poetry, you'll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.
People will download the music for free and they'll pay for it if they want to give you a compliment. They don't have to pay for it. And the only way the artist can make money was by touring 'cause the record label didn't take that money. Unfortunately now, cause the record company's not making money from the downloads, now they want to take money away from everything.
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