I often pose questions to myself and want the answers. The questions may be psychological or emotional. Or they may involve botany or [...] physiology. [...] I am very curious about strangers I observe - as in a bus line. I am very attached to finding out answers.
I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.
When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.
First of all the criteria that I have that goes into any career decision is whether or not I have the life experience, emotional resources to play the part truthfully or the imagination. Second, would be the director.
I think that it would be good for people to realize and understand that they are doing something to deal with their pain and they aren't really going to be allowed to escape it and outrun it forever without side effects and certain consequences, as far as emotional and mental happiness and their physical condition. And I'd like people to be aware of those things.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
I'm never hard on people just because they annoy me on the show. I'm not emotional when I'm professional. Do I think there are people on the show who need to go home sooner than they do? Yes. I do. but I'm there to be professional and to be a judge and to give them my advice and my help and I take my job really seriously.
You gotta not care about what people think in general about you. I'm not talking about bad stuff, if you're a nasty person, because I don't consider myself a mean person, I consider that I know what i want and I'm tough. But I'm very emotional and un-tough on a lot of levels, I cry very easily, I'm sensitive and I don't think that's a bad thing.
We probably stagnate our children's emotional growth by not letting them have some separation from us.
When you concentrate on the middle of your chest - this is where loving awareness lives. This is the spiritual heart. Not the beating heart, not the emotional heart. This spiritual heart goes way back - goes back many incarnations. We call it the soul.
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With the novels, I usually start from something in my own life that I can't resolve, so I turn it into a metaphor and for months or sometimes years I'll exhaust all of my emotional reaction to this issue by making it enormous on the page.
I like to look good, but I like my body to function well more than anything. For me, it's as spiritual and intellectual as it is physical. And emotional. I'm a better husband, I'm a better father, if my body is physically functioning at the highest possible levels.
Except for events that carry great weight, it is not experience per se, but how they match expectations, that governs their emotional impact
Seize the very first possible opportunity to act on every resolution you make, and on every emotional prompting you may experience in the direction of the habits you aspire to gain.
I think guys are more emotional. Men are supposed to be the strong ones, they have pressure on them to be strong, but when it comes to sex men are much more emotional than women.
Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.
The psychological trauma of losing a job can be as great as the trauma of a divorce. It creates a lot of anger and emotional hardship. People may become quite depressed.
You get all excited to give her the ring, and it's real emotional, and you give it to her, and she cries. And a second later, you're like, 'Damn, I could have had a car.'
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
Any successful corporation, if they adopt the three, they're going to be not just wealthy but they're going to be balanced. A lot of corporations adopt exercise, discipline, no affection. But you must maintain the three, because it's part of what you need. You need physical stimulation, you need mental stimulation and of course you need emotional stimulation.
I love my girlfriend, don't get me wrong. I truly love this woman, but I have the ability to have sex without any emotional involvement. It's a gift.
The emotional aspects of a wilderness experience might be compared to a religious experience. It is particularly valuable for those people whose unconscious associations of pain and discomfort in relationships to man render a deity in human form impossible. Christianity is unacceptable to some people because of the use of the human symbol, but some who can't accept Christ can gain a tremendous sense of peace from relating to uncontaminated areas.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.
Of course, when a poem is being born, the reasoning part of the brain throbs away at full throttle, but all the other areas are overlapping and interacting as well, the emotional, intuitive, animal areas.
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