These days it's hard to meet women. Feel like my love life is finished. I been avoiding commitment. That's why I'm in this position.
We live in a generation of not being in love and not being together But we sure make it feel like we're together. Cause we're scared to see each other with somebody else
In order to get inside their skin, I have to identify with them. That includes even the ones who are complete bastards, nasty, twisted, deeply flawed human beings with serious psychological problems. Even them. When I get inside their skin and look out through their eyes, I have to feel a certain - if not sympathy, certainly empathy for them. I have to try to perceive the world as they do, and that creates a certain amount of affection.
All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
My interest as a writer is not in reflecting actual human speech, which, of course, does not occur in sentences and is totally undiagrammable. My interest is in trying to reflect the reality of experience - how we feel when we talk to each other, how we feel when we're engaging with questions that interest us.
Use familiar words-words that your readers will understand, and not words they will have to look up. No advice is more elementary, and no advice is more difficult to accept. When we feel an impulse to use a marvelously exotic word, let us lie down until the impulse goes away.
When I talk to anyone or read the writings of anyone who has any axe to grind, I feel that intellectual honesty and balanced judgement have simply disappeared from the face of the earth. Everyone's thought is forensic, everyone is simply putting a "case" with deliberate suppression of his opponent's point of view, and, what is more, with complete insensitiveness to any sufferings except those of himself and his friends.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
I think maybe I was numb to it last year.. but you know I feel it now more than ever
The truth of the matter is that about 99 percent of teaching is making the students feel interestedin the material. Then the other 1 percent has to do with your methods. And that's not just true of languages. It's true of every subject.
You feel the call. That's the important thing. Now answer it as fully as you can. Take the risk to let all that is in you, out. Escape into the open.
When I feel difficulty coming on, I switch to another book I'm writing. When I get back to the problem, my unconscious has solved it.
I think the only person a writer has an obligation to is himself. If what I write doesn't fulfill something in me, if I don't honestly feel it's the best I can do, then I'm miserable.
It was unavoidable, my writing. I feel I had no choice in the matter, no more than I had about an unfortunate bone structure and a healthy head of hair.
[A writer] must try to think clearly, to feel deeply, to write honestly. If he is fortunate he will make a living, but his work will never be anymore essentially clear and deep and honest than he himself is, and he will be judged finally not for how many copies his books have sold, but for what they have done to enrich the lives of their readers, now and in time to come.
I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
Gimme some of that you and me, Some of that way back when, A little bit of wild and free I wanna feel that again
I know there's nothing that I wouldn't do Go to the ends of the earth for you To make you feel my love
In mathematics, if a pattern occurs, we can go on to ask, Why does it occur? What does it signify? And we can find answers to these questions. In fact, for every pattern that appears, a mathematician feels he ought to know why it appears.
Pressue is something you feel when you don't know what the hell you're doing.
Big game photography in Africa is mainly done from a vehicle, so then I feel I might as well take the lot.
Sometimes I feel like a melody doesn't have anything to do with me, but it's just something that comes, is accumulated from me playing on the piano, and then this little creature just appears.
I look like people that walk down the street. I don't have perfect boobs, I don't have zero cellulite - of course I don't - and I'm curvy. If that is something that makes women feel empowered in any way, that's great.
As a young girl, I never felt attractive. I was fat and unhappy at times, and that kind of thinking stays with you your entire life. There's always going to be a part of me that worries about not looking as slim as other actresses. But at a certain point, when you achieve a lot of your goals and you can be proud of your work, you start to relax more about who you are. And that includes your appearance and self-image - I don't think I look too bad for a mother of two. But women shouldn't have to feel the pressure to compare themselves to actresses or models.
Seeing is not enough; you have to feel what you photograph
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