Cinema explains American society. It's like a Western, with good guys and bad guys, where the weak don't have a place.
When John Cena came to Raw, he immediately got off on the wrong foot with Eric Bischoff. Eric Bischoff said that he thought John Cena was a would be Eminem, and Lord knows one Eminem is enough, but since that time, I have come to respect and really like this kid. This John Cena is a good guy. You can't say anything differently than that.
The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.
Why would a lazy guy become a parent of five? Then again, why would creative people who inherently don't like change and criticism become writers, actors, or comedians? There's something about this process. I joke about it: My kids have made me a better person, and I only need, like, 34 more of them to be a really good guy.
How many pictures have you torn up because you hate them? What ends up in your scrapbook? The pictures where you look like a good guy and a good family man, and the children look adorable - and they're screaming the next minute. I've never seen a family album of screaming people.
We can never give up the belief that the good guys always win. And that we are the good guys.
I don’t make the decision about what percentage of good guy or bad guy I play. For some reason, if I put my energy into the bad guy, that scares people. It’s magic.
Can I, just one time, play the good guy?
In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.
I usually end up falling for one of my really good guy friends because I know everything about them, and you fall in love with their personalities, and it makes them become attractive to you in your eyes.
I think we had an incredible opportunity to capitalize on that right up to Libya. I think we've made a step toward something that might be a mistake. I personally believe Saddam Hussein and Ghadafi are not good guys by any judgement, and there are ways to deal with it beyond what we did. Once you decide to attack, it paints an ill-conceived picture.
I remember a prominent conservative media figure, talking to him about prominent liberal media figures that he knew, that he liked. And I questioned him. "How can you trust these people? I mean, these are..." "No, no! They're good guys. In fact, one of them likes you, says you're not a hater." And I was supposed to be thrilled to hear this!I was supposed to be mollified that some liberal media figure had just pronounced I was okay because, after he had listened to me, he had determined I wasn't a hater. I did not take that as a compliment, and I got kind of mad.
I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality most of the sheriffs were as bad as the gangsters they were after.
Vladimir Putin hates America, he wants to hurt us. Suddenly Vladimir Putin is a good guy, Russia is okay, no it's not. Russia is evil, Russia is our enemy.
We lie to ourselves and try to escape that bitter reality by saying that the world is divided into good guys and bad guys, and that we're the good guys. We condemn people as evil to reassure us that we're not like them. If there's to be any hope of preventing these things from happening again, we have to look at the reality. That any act of evil in our history was committed by human beings like us. That, very often, we're all implicated in it.
I'm just somebody who tries to write things that entertain people. And if I can do it in a way that makes them prefer to emulate the good guy than the bad guy, I'm happy.
We hate our heroes, you know. That's one of the great things about this whole deconstruction thing - there's no more heroes. It's always been there, you just look at people's reactions, and when the good guys are skunks, those parts stick with us.
But you know, I'm very conscious that people criticize Hollywood. Yet we've created a form, the Western, that can be understood in every country. The good guys against the bad guys. No nuances. And the horse is the best vehicle of action in our medium. You take action, a scene, and scenery, and cut them together, and you never miss.
I mean they [ Bradley Cooper, Zach Galifianakis] are both just really good guys and also they're both extremely funny in very unique ways. We made each other laugh an awful lot, and that goes a long way. And we also went through some hard times. I mean it was hard to make this movie [The Hangover].
After three takes, [George Clooney] is like, 'We got it,' and I'm still thinking, 'I'm just getting used to this. I shouldn't have done it in a Russian accent.' No, he's great. He's a good guy.
Donald [Driver] is a good guy, a righteous guy. I have no beef with him. But I have multiple sources on this; people not connected with one another who verified it.
Women are wives and mothers and girlfriends, but not the center of our own stories. No one's the good guy; no one's the bad guy. We all do deplorable things and very honorable things.
Hollywood continues to present the US army as being the good guys, always defeating the aliens or foreigners.
There's a long history of all kinds of cop films... But all these films are really about the same thing: the good guys triumphing over the bad guys.
The good guys in my movies mind their own business and they don't judge other people. And the bad guys are jealous, they judge other people without knowing the whole story, they want all the attention and they're mean spirited. So I think my films are politically correct in a weird way.
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