John Goodman's pretty dark - I love John Goodman.
The first funeral for Andrew Goodman was at night and it was a lot of work. To begin with they had to kill him.
Tanya Ward Goodman, writing with a big heart, clear eyes, and a light touch, allows us a privileged glimpse into the shabby, enchanted world of traveling carnivals, roadside attractions, and a beloved, eccentric father’s descent into Alzheimers. Just as her dad animated the handcarved, miniature western world of Tinkertown from coat hangers, inner tubes and old sewing machine motors, Tanya Ward Goodman has fashioned her complex and often hilarious memories into a beguiling, wry, and moving work of art.
There's been so many, I think [Lucas Goodman and I] share this, but for us, Afropunk was a really big moment just because it was in New York.
I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
[Luke, holding stormtrooper helmet.] Alas, poor stormtrooper, I knew ye not,/ yet have I taken both uniform and life/ From thee. What manner of a man wert thou?/ A man of inf'nite jest or cruelty?/ A man with helpmate and with children too?/ A man who hath his Empire serv'd with pride?/ A man, perhaps, who wish'd for perfect peace?/ What'er thou wert, goodman, thy pardon grant/ Unto the one who took thy place: e'en me.
My my Laura Goodman. I must say that is a charming name for a charming young lady." "Eric's old." I broke in. "Really really old." "Er— really?" Laura asked. "Gosh you don't look even out of your thirties." "Tons of face-lifts. He's a surgical addict. I'm trying to get him help." I added defensively when they both gave me strange looks.
The proper word for me," Robin Goodman says, "is me.
I’m a huge fan of the program Democracy Now, which is hosted by Amy Goodman, and I subscribe to the podcast.
I went to the Goodman School of Drama in Chicago.
We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.
These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.
My idols are Richard Dreyfuss, Michael Keaton, John Goodman. Maybe that's what I want for me.
Any page by Paul Goodman will give you not only originality and brilliance but wisdom, that is, something to think about. He is our peculiar, urban, twentieth-century Thoreau, the quintessential American mind of our time.
Men and women in my lifetime have died fighting for the right to vote: people like James Chaney, Andrew Goodman and Michael Schwerner, who were murdered while registering black voters in Mississippi in 1964, and Viola Liuzzo, who was murdered by the Ku Klux Klan in 1965 during the Selma march for voting rights.
John Goodman is more that just a big guy, he's a wonderful actor.
Paul Goodman was not ahead of his time but IN his time.
John Goodman isn't fat. He's in a category beyond fat. What does one call it? Whalelike.
We live at a time that is notable for the polemical nature of discussions about identity, consciousness, rationality, agency, memory, and feeling. 'New atheists' and reductive materialists conduct gladiatorial debates against defenders of faith and enemies of reductionism. Lots of heat is produced, but, alas, little light is shed. How marvelous it is, then, to see this fine new book by Lenn E. Goodman and Gregory Caramenico. Here is a learned, illuminating, and decidedly non-polemical treatment of the classic questions of soul, mind, and brain-an exemplary work of scholarship.
Benny Goodman plays the clarinet. I play music.
Me, Billy Crystal and John Goodman hang out non-stop, and all we do is silly voices. We hang out in a little closet and do voices together.
Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.
I love New York. It's given me so much as a designer. When I moved here, I wanted to tap into the glamour of the city immediately. More than anywhere else, New York offers itself up - you arrive and get a rush in a flash. It's dazzling. Everywhere you look, there is decoration, from a pair of jewel-encrusted shoes in the window in Bergdorf Goodman to the Chrysler Building. And New York is incredibly democratic. Everyone is packed into this tiny space. You are confronted with all manner of people, and I love that.
When I started at [Nina] Ricci, I did street wear for very cool, young girls but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
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