I'm an old school guy and love the guys in the monster suits and JAWS; even though everyone makes fun of the shark I think it's awesome. You know it's fake, but with my generation that was part of the charm.
I had the greatest sparring partners, I had the greatest sparring team. And these guys they wrapped me up a lot. I never got the chance to get off on them.
We all grew up in that era. I'm a little younger than these guys [Will Forte and John Solomon], but I would say all of us are huge fans of the original "MacGyver" series, and obviously we found that inspiration for the original pitch for MacGruber. We took his name and made it stupid. In terms of the inspiration for the movie, that really came from our love for late '80s/early '90s action movies - the whole "Lethal Weapon" series and "Rambo" and "Die Hard," every single [Arnold] Schwarzenegger and [Sylvester] Stallone film.
I've not made a career of being physical in my movies, but I love sports. I'm a very physical guy.
In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
The best thing wrestling ever taught me was how to network with people, how to talk to people, how to deal with a lot of different kinds of people in different situations and being a good guy and a bad guy teaches you how to be able to have a thick skin.
It's always fun to play a bad guy because you get more to do. It's more arch. There's more energy to throw into it.
I'm not a broad comedy guy. I've been funny in movies, but I'm not a comedian. I'm an actor who's sometimes funny.
Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.
[Playing] the bad guys tend to be fascinating. Figuring out what makes them do the things they do is what interests me.
It's much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
Acting is primarily is where I want to go. But seeing how the visual effects guys work, and the special effects guys and the art department guys, how they work and seeing their visions is really interesting. I don't think those guys get the recognition they deserve.
My favorite is when you go to Afghanistan and you meet the special forces guys, and they look like these heavily armed surfers. These guys are the best. You see guys dressed as full Afghans, but then wearing a Yankees hat.
I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."
The way financing for independent movies goes is great. You get the money from the guy who's actually doing the distribution in France. You say, "Do you want a piece of this movie?" And he's got to sell this movie to get his money back. That's the brains of it; that's the genius of this financing. "You want Germany? Give us a million dollars and you've got Germany."
The more romance novelists that are out there, making romanticized ideas of vampirism for the kids, the more people want to see a real action movie, putting the bad guys where they belong, as the bad guys, and looking for a hero to come along and defend our very souls.
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
The only real politics I knew was that if a guy liked Hitler, I'd beat the stuffing out of him and that would be it.
I never duck out of a fight; I don't care what the hell the odds are, and I'm rough at times, but I try to be a decent guy all the time. That's the way I've always lived.
An American is a guy, a rich guy with a family, a decent guy with a family with as many kids as he likes, doing what he wants, working with people that he likes, and enjoying himself to his very old age.
I'm a guy who had to perform some way. I had to perform in some way. If not as an actor, I'd perform as an artist. It would have been something that would be outstanding in its own way.
I think Hollywood, as it's been, will have to change because the model of Hollywood is "we'll make this content, and you guys buy it," but I don't think that's the future.
Seeing the same coverages, the same personnel, and for us to change the whole scenery, and bring somebody else in that’s necessarily competitive, a professional competitiveness, where guys are respecting each other’s careers, but yet are getting better. For us to come out here and a get a win, I think it helped us with those practices.
Airplanes are like women - pick what you like and try to get it away from the guy who has it, then dress it out to the limit of your wallet and taste.
Showing weakness will encourage your opponents. It inspires them. It encourages them to hit harder. To come faster. But when you don't show any fear, or when you don't show any hurt, you have the opportunity to discourage your opponent. You discourage your enemies. The bottom line is, if you think properly, you don't even have to think about all of that. All you have to think about is that guy across from me is human, and so am I. And he'll never out-work me. He'll never out-think me. And if you can't out-work me, and you can't out-think me, you'll never beat me.
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