For me, it's about having a full life wherever I come to set my hat for a while; so I like to be in a place that offers me a base that's rich and full of people. New York certainly has that at the moment.
In sketch comedy, wear your character like a hat, not a suit of armor.
If you decide to do Hamlet in a funny hat staged in a ruined factory, it doesn't make you Shakespeare.
On the other hand, I'm drawn to top hats, and spats, and mustaches. I haven't read a Missed Connection yet with someone wearing a monocle, but rest assured I'll snap it up if I do.
Have you seen the deer heads on the walls of bars, the ones wearing party hats, sunglasses and streamers? I feel sorry for them because obviously they were at a party having a good time.
I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.
Everybody when they saw it, they said, "Did Willie Nelson sign your hat?" I'd say, "No, that'd be Willie Knucklehead - Robertson, OK?" We were at an event for the fans and I took my hat off and set it down on the couch, and he signed it. I said, "What are you doing, idiot?" He said, "Look, I was in the zone, and you just happened to put your hat in my zone."
Forget fashion, dress for comfort and for ease of getting through security, so no hats, belts or unnecessary accessories.
Sometimes directors feel like they have to justify that hat that they are wearing they've got on as a director, and they come in and they tweak and interfere.
I want the music to stand out a little bit more than many other bands do. I still have some stuff where I don't use the high hat, and I don't use any crash cymbals. It just makes for an interesting sound because you don't really notice it when it's not there, but if it was there, you would definitely hear it.
I think that may have been the biggest rally Donald Trump had, and he had the cap that said "Make American Great Again." So I thought that was - I liked that. We do need to make American great again, and I put his hat on for a little bit.
Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!
Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures.
Basically for everything that comes out of Five Four, I've come up with the idea or changed it in some way. I'm also working with Putnam Accessory Group, a private label hat manufacturer. I'm in the process of re-branding a line they have called Chuck. It was mostly hats and bags, but I'm adding apparel and eyewear and whatever I feel like adding to turn it more into a brand. I'm supposed to be working with Pharrell on Billionaire Boys Club, but that's on hold.
When Paul [Greengrass] was writing, he'd send me story ideas that he had. He was particularly interested in social movements and revolutions that had been happening all over the world, and how computers and the internet had helped those movements. He encouraged me to read a book about Anonymous, the hacker group called "white hat" hackers, meaning they're driven by ideology and social disruption as opposed to just greed.
I'm not really big into Twitter and stuff, but I like to post really cool music videos, just sort of spread a positive light on things that interest me. As opposed to, "I hate so-and-so because they were wearing the same hat as me." That's just so pointless.
So if you can make it through, you know you've got something good, you can handle anything. We've been blessed to grow but at the same time, the hard part is having to wear every single hat. It's exhausting, but it's entirely worth it because on the flip side, the best part about being a touring musician is being a touring musician.
There's a different kind of comfort that comes from knowing that you are putting your best foot forward. It's called psychological comfort. Look at a picture of the Coney Island boardwalk in 1925. Men were in full-on three-piece suits, hats. They may have only had one suit. But they pressed it. They made it look as good as possible.
In the 1930s, there was a stretch where you could borrow more against the real estate than you could sell it for. I think that's what's going on in today's private-equity world.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
After people like Lennon and Dylan, I think David Bowie brought a very modernistic intelligence and the necessity for change. I think he was completely positive, certainly through one and a half decades of completely overriding influence, in the best of popular music, and I take my bloody hat off to him!
Am I solemn? I had an idea I was grinning from ear to ear." "You look as if you were taking me to a prayer-meeting or a funeral. If that's a grin your ears are very near together." "Should you like me to dance a hornpipe on the deck?" "Pray do, and I'll carry round your hat. It'll pay the expenses of our journey.
I love hats, I'm such a fan of hats. You don't wear a fascinator everywhere you go, but there are ways to incorporate old Hollywood nuances into your looks today but also edge it up.
Twitter is a place where you share your thoughts, yourself... you don't want a plain white backdrop for that. You want the entire page to say something about who you are. Designer or not, if the urge strikes you, go for it. Put up that watercolor you've never shown anyone. Take a photo of that hat you just knitted... whatever it is, share it.
For like everyday, just kind of hanging out, I love flannels. Part of my closet, there's a whole section of flannels because I love them so much. Slouchy, oversized hats and fedoras. I just got these 2 amazing hats that I really love, blue and gold trim with woven material by D&Y. I love D&Y hats.
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