I doubt anybody gets taken seriously for very long. I'll be on some reality show in about six years going, Hey, I had a great year in 2006.
You have to be on TV a surprisingly long time before you're stopped on the street. Then, when you are, you get a lot of, 'Hey, you're great! What's your name again?'
With a chance to make it good somehow, hey, what else can we do now? Except roll down the window, and let the wind blow back your hair.
Hey, maybe instead of going to college, you should drop out and I could quit my job and we can form an all-girl band with Lane, you know, like Bananarama. We could call it Tangerinarama or Banana-fana-fo-fana-rama...or something.
Stevie Wonder used to come the ball games and they would have a guy sitting with him. And the guy would be holding on to his arm, telling him what's going on, and he would say, "Hey, the big chocolate guy just put down a thunder dunk. The chocolate guy with another monster dunk." And Stevie Wonder actually gave me the nickname Chocolate Thunder.
I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.
I love stories of female empowerment. I love stories of, "Hey, I'm an ordinary person." "No, you're not!" I love stories about not knowing you have it in you, but when called to task, you rise and you find out who you are.
If you go out with someone and decide you don't want to see them again, do them the courtesy of saying, "Hey, I had a nice time, but I don't think things are going to work out between us." Only you can help fight ghosting.
Basically, when I hear it now, I don't recognize myself directly in a lot of cases. I was expecting more menace. And the fact that it didn't seem menacing at first troubled me. Then I thought, What the hey, you know? I'm 66 years old, and I could just crack open a beer and listen to it, and it doesn't trouble me that it doesn't kill. Once upon a time, it probably would have.
It was trying to make my tennis game look mildly respectable, which I found you don't even really need to practice if you have a really good editor. They can edit it and you're like, "Hey, it looks like I'm playing really well." That was the fun part, but it was like going to summer camp.
I get to go to work and FaceTime my friends and family and go, "Hey, I'm just showing you around my spaceship!" It's great to be able to do that. I'm having a ball!
I think there are lots of opportunities to improve the product. When you read the press, people say, "Oh, the product needs improvement." I look at that and say, "Hey, that's an exciting thing to get behind!" Because they can improve that product. That leaves more upside from an innovation and revenue potential than you're gonna find in a lot of places. So you could say that's a downside, I see that as an opportunity.
Conditioning can be not a big heavy thing. (For instance:) I've got a brand new pair of shoes, by mistake you step on it and you make them muddy and dirty, I'm conditioned to go "Hey, what are you doing?" That's my conditioning, I have a response. So, maybe we have to learn to find the pause before we react, because reaction is our conditioning.
I wanted to say, "Hey, Pope Francis," but I cried like a baby. I was reduced to a very humble set of feelings, because it was not about what was said: There's a presence. That was a blessing for myself and my family and everyone there to be a part of that.
I mean, already in the French Revolution, the harpsichord becomes identified with the aristocracy, with the ancien regime. Plus, hey, you know, I mean, harpsichord is a really easy target, isn't it? I mean, it's - it's just how it is.
It ends a 40-year ban on exporting U.S. oil. It's changed - it's included in its cyber-security legislation - that says to private companies, hey, if you share with us your data on your cyber-attacks, your potential cyber-attacks, we'll give you liability protection. And they authorized a health care program for 9/11 responders for 75 years to cover the length of their lifespans.
I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'
I would ask the people who were generous toward my own work. After class one day a poetry professor said to me, "Hey, there's this guy Basho you would find interesting," and so I found Basho. A fiction teacher told me, "You ought to read Clarice Lispector if you're interested in that sort of in-between stuff," and then Lispector appeared. It's not magic. You just keep your eyes open.
For a long time networks just wanted to buy imitations of other shows - i.e. Curb (the Enthusiasm or the Office). The word gets out that "Hey, we want to buy something like that" and every comedy producer just starts dreaming up ideas like that.
I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."
I think the way for [Marco] Rubio to say to [Donald] Trump supporters, hey, essentially he's conned you. He's a con man. That's what they do. You pour gold people.My goodness, that's not the way to bring them in.
I hate when a show has an age limit. Like a little tiny child is standing outside, like, 'Hey, I wanted to go but I couldn't.' That sucks.
I'm trying to be like, "Hey, dude, you're super happy, this is everything you've ever dreamed of - if you don't have somebody to hold hands with right now, everything's going to be OK, bro."
Growing new organs of the body as they wear out, extending the human lifespan? What's not to like? Then in the last phase of this transition people begin to realize, hey, I thought of it already - this is something that everyone can enjoy.
People really don't know the extent of what I actually do. I'm not one of those rappers... "Hey! Make a hit. Throw it on an album! Sit at home and make more music." I put 4 or 5 mixtapes out and do shows all year long.
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