Hip-hop and being a pro athlete go hand in hand. When they come together, it's a win, not just for your business brand but also for culture.
For me, hip-hop culture is involved in everything - it's in me, in who I am, in how I dress, how I talk. It's in my son and my wife.
I believe hip hop is being used in some mass way to influence underachievement.
I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
The trick with hip-hop-hip-hop is a sport. The only music that's really, really close to a sport. It starts off, "My DJ's better than yours. I can out-rap you, I can out-dance you, my graffiti piece is better than you." It's very competitive.
It's not just hip-hop that's dead. Mostly every form of American music is dead. It's been dead. R&B isn't really good.
Hip-hop ain't died because of the South, that's retarded.
I expect the hip-hop audience to be avant garde. I want them to be where I'm at or beyond where I'm at.
Dave Rath is recovering. A month ago he had hip pocket replacement surgery.
According to my local hip-hop station everyone has garnish wages, child support, liens and wants to buy or rent rims. Ya Heard!
Before I got into stand-up, I used to be a hip-hop dancer in a crew, and my name was J. Smoove, and my partner was J. Groove.
I go down to New York, do the project, and leave. I have no interest in participating in the rat race down there. Hip jazz fans know who I am. There's a generation of musicians in New York who know my records better than I do.
People like bluegrass. It's had a following amongst a lot of hip and young people. A lot of college kids like bluegrass.
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
The best things about womanhood might possibly even be the conversations. The chatting. The gabbing. The whispering. The hands-on-hips eye-rolling. The yukking-it up.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
We have been lead as the hip hop generation. We have been once again lead by people who are under qualified. It's like they just got a pair of new jeans..They just started wearing them below their belt 2 months ago.
Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.
My forte is the music. But obviously if ya don't keep up with the business, then your kinda doing it for nothing. So I do plan on being well off doing, maximizing what I do now. I heard Jimmy Kimmel describe being in your thirties in hip-hop is like the equivalent to being 300 yrs. old; almost like a dinosaur.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
My goal in this music business is to be here as long as I'm alive. I want my music to be here. I want to be the Michael Jackson and the Prince of hip-hop. I want to be a legend. I want to change the world. I want to give them songs that mean something.
My main concern is that there is a balance in the system and that some art-based hip-hop can get out to the masses, 'cause right now people are not responding to what they don't know. Most people are just afraid to think on their own.
I think hip-hop has definitely brought the black experience to white kids more than the civil rights movement did and more than any teacher's well-intentioned lecture on Martin Luther King did.
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