But I try not to become preoccupied with that because with whatever direction I follow, with whatever advice I've followed or not followed, It's landed me in New York, in a very beautiful hotel, talking to people about something that I love. So I ain't that far off.
Most big companies don't like you very much, except hotels, airlines and Microsoft, which don't like you at all.
Why do Britons keep stabbing each other in August? Why do seaside hotels burn down in August? Why do children disappear in August, examinations get easier and Heathrow become the world's worst airport? The answer lies not in reality but in appearance. News editors abhor a vacuum. Half an hour of airtime and 10 pages of news must be filled each day, whatever the weather.
I had been with a good friend, had a few beers, didn't bother to eat, went down to the hotel where the party was, walked in and, God I don't know why, because I hardly ever drink it, I had a double scotch. And I had another.
Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.
I started out as a business manager for a national hotel chain based in Oklahoma. I got frustrated with what was happening in the state capital - the high cost of doing business and a lack of educated workers.
As an actor, you're just taking temperature. I am anyway, all the time, and responding appropriately. I was again cast very last-minute for Rushmore and met Wes Anderson, this quite physically and socially awkward man who didn't really talk to me much, a precocious and intelligent young boy. And Bill Murray. And we were sort of left in this bizarre hotel together and taken to strange locations around Houston. That was quite an isolating experience.
It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.
People who are under certain stress have aquariums. Aquariums are classically either a reproduction of nature or a decorative element, like the ones you can see in big hotels.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
You know when you're thinking about what you want to be when you grow up, or how you want your life to pan out. I couldn't imagine anything better than living in a hotel so you'd never have to worry about washing up, making the bed, anything like that, and having a servant to come in and play all your favourite TV programmes.
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
When Gaddafi came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent - just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.
Our aim - our only aim - is to be at home in Christ. He's not a roadside park or hotel room. He's our permanent mailing address. Christ is our home. He's our place of refuge and security. We're comfortable in his presence, free to be our authentic selves. We know our way around in him. We know his heart and his ways. We rest in him, find our nourishment in him. His roof of grace protects us from storms of guilt. His walls of providence secure us from destructive winds. His fireplace warms us during the lonely winters of life. We linger in the abode of Christ and never leave.
One time, many, many years ago, I had the opportunity to dye my hair brunette for a film. And the day I walked out of the hotel where I had it done, I walked out onto the street and realized people looked me in the eye and greeted me good morning. I'd never had that experience before! And I began to notice that a brunette is treated as an affable human being. Later, when I dyed my hair for Lois Riley blonde, and then Alice Ward blonde, people come right up to you, they touch you on the arm, they ask you how you're doing. Men and women both! Blondes have more fun.
My new favorite thing is to wake up in hotel rooms, and write on the hotel pads. Usually, it's nothing. I leave it in a hotel and get really embarrassed about the maid picking it up, wondering what in the hell I'm talking about.
I think meditating on tour is integral. It's a priority, because everything is so chaotic, and the calmer you stay, the calmer everybody is. Sometimes I do it hotel lobbies, or in corners, and I try to find moments. It's not ideal when people come out and almost step on you.
People forget that after we get to our hotel rooms at night, we take a shower, we watch TV, eat room service and do normal things. Behind our image, we are still human beings.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
I found out this summer how to hook up my Xbox 360 in the hotel and get past security. It took me a while to figure out, but I got it now.
You check into the hotel and see you're booked for seven nights. But you know you might be leaving in a day or two. It's exciting for the fans. But you're on edge. And you're on edge the whole round.
I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.
It's the combination: big idea with a good entrepreneur: there's nothing more powerful. That's just as true [for] education and human rights as it is for hotel or steels.
You say that if we hadn't just gotten married, you would want to marry Miss Arkansas. Even if she can't spell. She can sit on her hair. A lover could climb that hair like a gym rope. It's fairy-tale hair, Rapunzel hair. We saw her practicing for the pageant in the hotel ballroom with two wild pigs, her hair braided into two lassoes.
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