I do know that it’s important for us to support the Iraqi people, who have shown incredible courage in their desire to live in a free society. And if we ever give up the desire to help people who live in freedom, we will have lost our soul as a nation, as far as I’m concerned.
Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
I honestly feel that most young women out there are feminists - they just don't know that the word "feminism" describes the things they believe in. I wants to show young women that while feminists of the past did incredible work and that while the relative equality we experience now is due to their hard work, we still have a ways to go. We still have to fight for our rights and be vigilant in terms of keeping the rights we do have.
In terms of feminism, I would just ask young women to keep an open mind about it and try to learn about it before they write it off or believe the negative stereotypes that surround it. Feminism can help you on a personal level, it can offer you an incredible community of brilliant and impassioned people, and can change the way you see the world if you just open yourself up to it. I think that goes for all causes as well.
How is it possible to live in world where people can rule millions of others? It's incredible! It's like we've gone back to the 12th century. That's what happens when you decapitate intelligentsia and repeatedly traumatize and brutalize a country for decades on end: you do not get virtue. Victims do not make nice people.
There are authors like David Foster Wallace or Raymond Chandler - with voice-based authors I might end up a completist, because what I love about them isn't just the particular construction of one novel or another but their flavor. There is an Austrian writer, Thomas Bernhard, as well. One book is not necessarily greater than another book, but they just have this incredible, unique voice, so it doesn't really matter which one you read.
The children - I call them children when they're under 18 - are hungry for that love. The drugs are just a sleep that you can't even wake up from, because you might remember what you did when you were there. There's no place for them - there should be a rehabilitation center on every corner, along with McDonald's and the banks. This is serious business. The waiting lists are incredible. I mean, it's terrible. It's really terrible.
What keeps my flame burning is, first, I'm ornery and persistent. I don't like giving up on things and I believe in my band and I just happen to have the sort of personality that really likes to see things to the bitter end. The second reason is the incredible people I've been fortunate to meet as a result of pursuing this insane, money-hemorrhaging enterprise. Literally every time I release a well-reviewed, poor-selling record, the net result is that I end up meeting more kind, like-minded, creative and brilliant people. That's really all the reward I need.
I think in America, especially today, our relationship to war is incredible distant. Yet narratives of war have such a primal power in this culture. They mainline directly into a whole series of emotional reactions and understandings of American patriotism, masculinity, and all of these other things.
Humans are particularly interesting; our culture is incredible, there's no doubt about that. In many respects, no other species matches ours. But in quite a few respects, they do, and that can help us, perhaps, to better understand our own culture. We look at the ways humans are similar to other animals, and at the ways they differ, rather than just saying, "We have culture and you don't."
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
I had a lot of fun with those guys from the Wall Street. The laughter is unlike most settings you'll find. The level of intensity, the adrenaline, the stakes are incredible. I mean it is addictive. I can understand why people end up spending 23 or 24 hours a day hitting it.
One of the things about landays is that they thrive in a modern context. Early on I went to this incredible Pashtun novelist, Mustafa Salik, who is a bestselling novelist in Afghanistan and works for the BBC in Pashto. With the question of the sanctity of the poems in mind, I asked him, "Aren't you worried? They've been posted on Facebook and such." And he said, "Just the opposite. This is a folk form; they survive and thrive as people share them."
You can listen to a birdsong, and from the content of the birdsong, you will be able to determine whether or not the bird grew up in a noise-polluted environment or whether it grew up in a pristine, clean environment. Isn't that incredible?
I was inspired by, when I was in college, seeing some incredible speakers come to my school: Michael Eric Dyson, Spike Lee, Nikki Giovanni, and other poets and writers. I always loved that experience: going and sitting in an auditorium and listening to their opinions.
When you'd get a note from someone, the government, it meant something was wrong. This was the way it was. Just goes to show you the way that being a chef has changed, you know - being on the bottom of the social scale and now being what we are, it's incredible, it's terrific.
I believe that art has incredible power.
I don't want to stand with somebody's praise. Whereas now when people come up to me, they say, "I love the bookstore" and "Kids! Come here, come here! This is the woman who owns the bookstore." That's incredible. I can say to that, "Thank you for shopping local. Thank you for coming in. What are you reading? Let's talk about books." It's about something I'm doing as opposed to somehow something I am. I feel comfortable and positive in that role. Because it's about reading. It's about books. It's about learning. It's about business and tax base.
Right now we're in the midst of a grand experiment on how best to harness the incredible power of the Internet while we struggle to maintain useful boundaries among the different parts of our lives.
Music has as many roles as people make it. I traveled to Burma once years ago to witness the people's struggle for democracy, meet some people and learn some stuff. And I had this incredible experience over and over again in the Burmese jungle or refugee camps or health clinics with very oppressed, very devastated people. I show up, and I'm white and I'm American and I'm privileged and I have an experience that these people can't fathom and vice versa. There was this huge chasm when I met people for all good reasons.
Everybody wants to win. You know, nobody ever wants to feel like they lost. That was probably one of biggest lessons I learned. You don't want to be that guy sort of banging fist on table telling somebody what you want. People want to feel like they had enough value on both sides that the deal worked out on both ends. I had an incredible team in place that really supported me and I would not have been able to get the deal done had it not been for those people.
I really love Los Angeles! The diversity here! You have people from all walks of life. And there's so much zeal for life and passion and creativity and those are the sort of things I wanted to be around. There's something amazing about the West Coast! As an entrepreneur, as a person who's very invested in the technology sector, and in business - I think there are incredible opportunities out here, almost to the point that I'll probably never leave it all.
Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.
Most of the nations that have serious gardening cultures have, or had, empires. You can't have this luxury of pleasure without somebody paying for it. This is nice to know. It's nice to know that when you sit down to enjoy a plate of strawberries, somebody got paid very little so that you could have your strawberries. It doesn't mean the strawberries will taste different, but it's nice to enjoy things less than we do. We enjoy things far too much, and it leads to incredible pain and suffering.
I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.
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