We need to and must protect privacy. But I think that people will be willing and even eager to share medical information about themselves for the greater good of mankind.
The major thing is to view biology as an information science.
I'm attracted to intelligence and creativity and passion - and not necessarily the romantic kind. I want to learn from someone who is greedy for information and light and laughter and the whole world. Someone who celebrates their days and finds inspiration in what other people accomplish.
Poetry is supposed to be musical. But people don't understand prose. They're so used to reading journalism - clunky, functional sentences that convey factual information - facts, more than just the surfaces of things.
There's a big difference between sending your art in a statement or something like that, and sending yourself there. When you send yourself somewhere, then you are sharing your information uncontrollably - like all yourself.
In a busy world, even as information is moving so rapidly, we have to learn who to trust in that regard even as we ourselves have to become more critical of the people who we want to trust. It's a weird situation.
I don't understand how IMDB works. I don't know who logs in the information. I've checked it a couple times and saw (something he was supposed to be listed in) that I wasn't in there, and thought, "Well, I'm not gonna put it in there".
By providing our school districts with direct access to criminal information records, we can help ensure timely and complete information on prospective school employees.
I understand what my brand is. My brand is not my information. My brand is me and what I say is secondary to who I am.
If you're selling information - and I have a lot of friends who write a lot of bestselling books and they're selling information. They don't need to have a picture on the cover at all because they are not important. They're secondary to their information. To me, the information is secondary to me.
Certain kinds of things that the novel used to do, which was, "Oh, I'm living out here in West Nowhere, Nebraska and I'm curious how the upper class in New York City lives, I guess I'll read a novel about it." We don't have to do that now. You just turn on the TV. Turn on Lifestyles Of The Rich And Famous. You can get that information anywhere. Novels don't have to do that anymore.
Usually you tend to glean much more information about your character from what other people say about you, rather than how it's described in the books.
It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?
I really believe in trying to increase the amount of useful information in the world and in being accurate in the sense that you can take what I say to the bank, even if you disagree with me.
At some point, when you read about this factual information that comes out in The New Zealand Herald and it's barely mentioned in The New York Times, then I think you've got to question where this is being manipulated, and where the filters are.
Good marketing speaks to human beings - the way human beings understand and take in information.
As an actor, I think every moment in your life is giving you a new set of tools. You’re constantly absorbing new information that you can put back onto the screen.
For me the information has to remain incredibly neutral. It's what I would call 'ice-like' information. I receive very rapid impressions. I don't have to sit there and concentrate. Because, if I start to really focus, my conscious mind begins to apply data, which is not accurate.
People are more likely to support a change when they have information on it and when they participate in it. So, getting the CHRO information about the transformation and involving the CHRO in the transformation effort are critical to success.
The script in many ways is limiting and novel is liberating. You get to go into the heads of your characters and their background and have fun with them; something you are discouraged from doing with a script. With the novel, I can tell you what the characters are thinking, I can tell you their view of the world, background information, things I wouldn't dare touch in the script.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I think that when people read fiction, they're really reading for wisdom. I am. That's what most of us really love. If we read a novel that rocks our world, it's because there's something in it that we didn't know already. Not just information but really wisdom - sort of what to do with our information. And wisdom comes from experience.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
Quantum entanglement allows you to send information faster than light, which upset Einstein. But Einstein has the last laugh. The information you send on quantum entanglement is random, useless information. So Einsein still has the last laugh.
Accurate processing of information about outcomes is no simple task under the variable conditions of everyday life . . . usually, many factors enter into determining what effects, if any, given actions will have, Actions, therefore, produce outcomes probabilistically rather than certainly. Depending on the particular conjunction of factors, the same course of action may produce given outcomes regularly, occasionally, or only infrequently
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