I hadn't talked to him in many, many years. He got a bad rap on "Heaven's Gate." I actually live in the hog ranch from "Heaven's Gate" in Montana. Mike Cimino gave me that set, the whorehouse, that's my house.
I was djing before I was rapping. I was calling myself Mike Geronimo and spelling it like Mike but he was just like spell it M-i-c. I was like that's ill cuz it stands out.
[Alex] Haley felt he could make a solid case in favor of racial integration by showing what was - to white America - what was the consequence of their support for racial separatism that would end up producing a kind of hate, the hate that hate produced, to use the phrase that Mike Wallace used in his 1959 documentary on the Nation of Islam.
In terms of going into the West Wing, I will do whatever the president-elect and the vice president-elect - I worked with Mike Pence for 10 years - they believe is my best and highest use for them.
I fully support Donald Trump and Mike Pence administration. I think they're going to do a lot of great things very quickly.
This word gets overused in describing actors but I think it applies to Mike [Tyson] in this case - he was totally fearless. He jumped in and played with us comedically and improvised a lot. A lot of jokes in those scenes with him are from him improvising.
People say I don't have great tools. They say that I can't throw like Ellis Valentine or run like Tim Raines or hit with power like Mike Schmidt. Who can? I make up for it in other ways, by putting out a little bit more. That's my theory, to go through life hustling. In the big leagues, hustle usually means being in the right place at the right time. It means backing up a base. It means backing up your teammate. It means taking that headfirst slide. It means doing everything you can do to win a baseball game.
You can’t be disturbed by anything. There’s no emotion involved. You can’t feel sorrow, you can’t feel pity, there’s nothing you feel. The job has to be done.
We live in a society where we basically live and strive on what people think about us. We’re more visual people so what we see is basically what we believe which is not necessarily true.
Mike Stanton is our preeminent aficionado and raconteur of Rhode Island’s flamboyantly criminal political follies, and The Prince of Providence is the chronicle of a great American rogue, Mayor Buddy Cianci—a paragon of charisma and corruption.
As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member
Mike Tyson’s a great boxer. The greatest boxer - but boxer. Not the best fighter.
I was really happy with Mike [Green]. Not only was he contributing offensively, but he was really making good plays, good decisions. Defensively, he was really strong. For a debut, I didn’t know how he would be just coming off a little bit of an injury. He was real strong. I’m glad he got through that. I think he’s looking forward to a good season now.
Mike Keenan has been responsible for creating a lot of good things for coaches, like mid-season job openings.
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.
I went to drama school with John Schwarz and Mike's his younger brother, so he tends to just hang out, that's it. So we're a pretty tight bunch of guys, they do whatever they do and they're my brothers basically.
Mike Hammer drinks beer because I can't spell Cognac.
Whenever you talk about a Mike Shanahan offense, you're always going to be talking about his offense.
I wrote the original Mike Hammer as a comic, Mike Danger.
Imagine this guy hits Mike Hammer over the head with a wooden coathanger and knocks him out. You hit Mike Hammer over the head with a wooden coathanger, he'll beat the crap out of you.
So I'm in the library, and I have keyboards out and my headphones out. Everybody's like, "Mike are you making beats right now?" and I'm like, "Yeah... sorry!"
[Mike] just loves [his] motorcycle and he would take it out too early [in Green Bay]. In Green Bay, you've got ice until June, and he'd take it out sooner than that. He can finish the rest of the story. Ask him about taking the bike out a little too early.
When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.
We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.
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