In the area of trading, it is now an academically demonstrated fact that women tend to be a little bit more risk-adverse. They don't move positions as quickly and as erratically as men. Maybe it is a bit less profitably, but I think it would have been less risky.
Because Caribbean music is now coming back into the mainstream, there are so many things that make this the perfect time to educate people on where this music, this vibe, and these dance moves come from.
[ This Is Us] is a character-driven dramedy, in which you will laugh. You may have to pull out your tissue box from time-to-time. But it will sort of reaffirm your desire to move forward in life. It's a very hopeful show.
After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, "Mom, I'm moving out! I made it!" I did two seasons of that, but I felt like a talking head and wanted to do more.
The fear is that we'll move in the direction from being a democracy to an oligarchy.
Pressure or violence will ever move us to relinquish our honor or our equality of rights.
When I read a story that I think has value and I want to be in it, that doesn't change for me. It doesn't fall out of favor for me. I might have to move on because the universe is saying you can't make this right now. But I'm going to circle back and make it.
What you care about [movie] is whether it's moving you, or whether you're caught up in it.
So it's discouraging and, yet, when you make a movie like Wonder Boys, in a sense it's its own reward, because it does move people, it gets great reviews, and it becomes part of that library of movies that exist out there. As time goes by, it will find its audience.
There are so few barriers to working with artists because the contract is brief and straightforward, it allows us to just move instantly.
That being said, everyone of us can move a big step farther towards determining the direction of our own lives. We can all break free from group think. Some more than others. Most don't. Finding out who is who is great fun.
However, I believe that large groups make markets, so serving the needs of large groups is a simple approach to success in business success. But that's no reflection on whether or not they're making wise moves or good calls. It's just about filling the need.
There are not enough forums where institutions invite their workers to share their failures in a constructive way so the organization can move forward.
Small teams move faster than big teams.
Most startup companies have two people, and they figure out creative ways to swarm problems. They move faster and have more impact.
Most progressive in the Democratic Party doesn't cut it, you know. If we still can't have a health care system that provides health care as a human right, if we still cannot, you know, ban fracking and fossil fuels and move like our lives depend on it - you know, we say in the next 15 years we need to phase out fossil fuels.
Under Donald Trump, you know, we've seen the foundation of the Republican Party move into the Democratic Party, so Donald Trump, I think, will have a lot of trouble moving things through Congress.
I think it's arguable about which one [Hillary Clinton or Donald Trump] will wind up being more harmful to us. But what I am very convinced of is that we're not going to move forward unless we stand up.
We know that from the studies, like the Gilens and Page study out of Northwestern and Princeton, if you didn't know it from real life. We're not moving forward, we're moving backwards, and the clock is ticking on this, whether you look at climate or the expanding wars.
We've got a lot of down-ballot candidates that are also being lifted up by this campaign [for Presidency in 2016]. If we don't take a stand at some point and begin to stand our ground, we are never going to begin to move forward. We've got to do that.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
I think back to when I was growing up in Fort Worth, Texas, in the 1950s, during the [John] McCarthy era, with two parents who founded a Unitarian Church. We lived in a little frame house, and my bedroom was just down the hall from the kitchen. My favorite memories of childhood are of the smell of coffee wafting into my bedroom as my parents and their friends talked about the big, important things - about racism and about how to move our country to live its values.
We can't see ahead of time what actions are going to be the ones that move history in dramatic ways.
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.
What's great about it is that painting doesn't move. And so in the 21st century, when we're used to clicking and browsing and having constant choice, painting simply sits there silently and begs you to notice the smallest of detail.
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