Whereas, if you have a longer scene, then you have momentum to build it up. I thought I sucked, but Chris Weitz is an actor, so he understands that process and that you can get nervous in it, and he can look beyond that. Or, it was just me and I was over-thinking the entire thing.
I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us.
Whenever I feel nervous, I feel like I have to poop.
New York... Babylon-on-the-Hudson, sinful, extravagant, full of the nervous hilarity of the doomed.
I'm Jewish... We're a very nervous group. Paranoid. Anxiety-ridden. Maybe that Hitler thing made us a little jumpy. Nothing like a Holocaust to make you mind your Ps and Qs for a couple hundred years I always say.
When I first started doing stand-up, I would be so nervous that I would just binge drink really heavily right before my sets, and as you can imagine, that had its drawbacks. But now I'm a professional, so I pace myself throughout the day.
I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people.
I get nervous when a picture goes beyond two hours.
I have been nervous before, but I have never had stage fright.
I'm just going to keep going. For me, the most important thing is that I have fun. I've reached nearly everything already with Accept and U.D.O., so the most important thing is that I have fun touring and making albums. I'm still nervous when a new album comes out. I'm still nervous when we start touring. So as long as I have this feeling, I can't say when I will stop.
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I think working in the industry, I'd be pretty nervous to have a celebrity crush. I'd be pretty nervous if my boyfriend did as well because inevitably you'd end up working with them and then it would feel very suspicious.
It was really hard to do that at first. You have been holding onto this thing - even though you know what someone has done before and you have faith in what they can achieve - it's just a matter of whether that's gonna be right for you. At first you do need to be quite protective; to make sure it's going down the right track, so I was pretty nervous to begin with.
I'm not nervous if I think about something for nine years and then I don't write it. Even if it fades it doesn't concern me. It'll come back if it's worth it.
The most dangerous thing that can happen to us, I think, is to permit a feeling to develop that any client is a problem. I have always taken the attitude that no account is a 'problem account' but that all accounts have important problems attached to them - that you can waste more time and burn up more nervous energy by fighting a problem than by taking a positive attitude and solving it. It sure gives you a nice, warm glow when you do.
I am a very open person, and I'm always nervous of being misconstrued. Sitting in the middle of a restaurant makes me nervous. I feel like I'm being judged. And it's funny that I should feel that way.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
People get nervous driving around corners, thinking they're going to tip over. But you can go soooo much faster through the curves than you realize.
My run is so weird. That's what I'm most nervous about in this whole ordeal. I'm most nervous about everybody making fun of the way I run. I do, like, karate hands. Instead of running with my hands closed together like a normal person. It's like I'm trying to be aerodynamic or something, so my hands are straight like razors. Karate hands.
It's nice when you're nervous and everybody's like, "Yeah, you should be nervous." Because a lot of times you're anxious and people say, "Relax. Shut up." And that just feels like, Well, I guess I'm also crazy.
I think Albertans are progressive and forward-looking and are very optimistic, and I think they've always embraced change. Now with the economy being the way it is, I think we need to acknowledge people are a bit nervous too.
I think that people don't make the most of their lives. So, you know, for me, it seems like it's the beginning of me rattling the cage, of making some people nervous. And people are strategically trying to do things to mute my voice in some way or make me look like I'm a lunatic or pinpoint the inaccuracies in my grammar to somehow take away from the overall message of what I'm saying.
I get really nervous right before I go on stage. But once I'm performing, I always love it. It's like being in a different world.
I don't get stage fright. I do get nervous before I play in front of big audiences [though].
I think working in the industry, I'd be pretty nervous to have a celebrity crush.
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