I have a penchant for fresh notebooks and mechanical pencils. It seems every time I go to the store, I buy a new notebook. I have dozens of them just sitting around.
My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
I creep over to my chair and sit there with my notebook and my thermos of coffee. It's my best time for thinking, because I haven't started thinking about anything else yet, and the thoughts can kind of go in and out of my head.
I was always writing. When I was a little kid, before I learned how to write, I would tell stories. But as soon I as capable, I started writing. I filled notebooks and notebooks until I got my first computer when I was 11. It never really occurred to me that I would do anything else.
Money is the driving force of Hand to Mouth, the lack of money, and all those true stories about strange things in The Red Notebook, coincidences and unlikely events, surprise, the unexpected.
I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.
It's a fun movie Death Note. Despite the fact that it's about killing people, it's even comical. But, there is an underlying message. I think we're in a place right now where everyone is really frustrated, and there's a lot of hate in the world and a lot of bullies and bigotry. Having the opportunity to get rid of that would be amazing. I wish that I could write down a whole concept, rather than a specific name. Rather than kill somebody, I'd like to write down "evil" in the notebook. That would be fantastic!
I kind of missed the whole running into each other thing. Provided a lot of excitement." "I don't miss that," I admitted, bending over and rummaging through my bag for my notebook. "That was really embarrassing." "It shouldn't have been." "Easy for you to say. You're the one who got plowed. I was doing the plowing." Cam's mouth opened. Oh my God, did I really just say that? I had.
I've never watched The Notebook either. Not big on romance flicks," I admitted, opening the huge cartons. "Really? I thought every girl has seen that movie and can quote it at a drop of a hat.
Young writers should read books past bedtime and write things down in notebooks when they are supposed to be doing something else.
As for not getting things right: I constantly rerun social situations/conversations I experience/have throughout my head, and I'm always writing them down in notebooks or in word documents/the Internet. I feel like these habits and a generally good memory of people/the interactions I have with them (due to studying people having always been my main interest in life) have lead me to being very accurate in things I write in stories/essays.
I was sickly as a child and gravitated to books and drawing. During my early teen years, I spent hundreds of hours at my window, sketching neighborhood children at play. I sketched and listened, and those notebooks became the fertile field of my work later on. There is not a book I have written or a picture I have drawn that does not, in some way, owe them its existence.
Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality.
Carry a notebook and write down examples of good and poor design. After a week, you'll begin to realize that nearly everything is the product of a design decision.
And my father left me a legacy of his handwriting through letters and a notebook. In the last two years of his life, when he was sick, he filled a notebook with his thoughts about me… There are times when I want to trade all those years that I was too busy to sit with my dad and chat with him, and trade all those years for one hug. But too late. But that's when I take out his letters and I read them, and the paper that touched his hand is in mine, and I feel connected to him.
In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
When traveling, I usually keep a notebook: when home at my desk, the notebook serves mainly to remind me how little I saw at the time, or rather how I was noticing the wrong things. But the notes do spur memories, and it's the memories I trust. The wine stain on the page may tell me more than the words there, which usually strike me as hopelessly inadequate.
Baseball, boxing, handball - sooner or later every game gets compared to narrative, but only in football are the plays perfectly linear, drawn up with letters, and only in football is the field itself lined like a sheet of notebook paper.
The Golden Notebook for some reason surprised people but it was no more than you would hear women say in their kitchens every day in any country... I was really astounded that some people were shocked.
When I was a kid, the punishment I disliked the most was writing sentences. My mother loved to make me record my transgressions--always a minimum of five hundred times--and she even bought special spiral notebooks for me to fill up.... No matter how many notebooks I went through, there was always another one waiting in the kitchen drawer.
I once asked my father for a dollar for the school picnic. He told me how he once killed a grizzly bear with his loose-leaf notebook.
What I try very hard to do is have an hour or so in the morning when I leave the house and don't have my phone with me. I'll go sit in a cafe and read and handwrite in my notebook and not be facing a screen. My head will be clear. I will be able to hear myself think. Because honestly for the rest of the day it's just screens, screens, screens.
I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don’t have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
It's not like I would see anyone and be like, "Oh yes, that person looks like maybe I had an impact on them." I don't think I did. I don't think I ever was that well known, to have an impact. And I haven't seen comics that I go, "Oh, yes! That person is terribly unprepared, with their notebook, and going off on 50 tangents. There you are. That's me."
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