There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.
The first person I met in the business was David Heyman, who was a producer on Daytrippers and who went on to produce the highly-unsuccessful Harry Potter series.
I'm a SoundCloud, online kind of artist. It's not like back in the day when everyone was like linking up physically to do music. But with the album, I did have my first experience with meeting with a producer and us making things from scratch.
I think with a lot of producers, they think computers can create the best drum track, or guitar track and it comes off as too artificial.
Calling all dance music producers! I'm available.
The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.
I was the offbeat character that had to kiss the offbeat boys and, ugh, some of the boys they brought in. There was one boyfriend in particular, we had to climb a mountain, and he was just weird and awful, and I hated it. So the producers left a big bag of Hershey Kisses after that taping saying, "Here are some kisses you will actually enjoy. Thanks for doing this." Isn't that so nice?
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
It's also important that I, or [Producer] Karen Pritzker, also say that this film [ "Resilience: The Biology of Stress & the Science of Hope"] is not going to singlehandedly solve crime and poverty, or make big changes.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
What is happening now is that producers are trying to figure out new ways to distribute that content.
Phone companies recognize that the pipes are not enough anymore. You need something to go through the pipes. You need content. I think the consolidation will continue. A huge development is mobility. We want the content where we are....producers need to be where the consumers want them to be.
If you deconstruct the movies that have done well, Pixar-type movies that do incredibly well and make hundreds of millions of dollars, they have a strain of decency and conservatism that maybe even their filmmakers don't even recognize. Yet, we cross our fingers that by mistake, liberal filmmakers and liberal producers are going to by mistake make conservative movies. We have to become invested in it, or else we have no excuse to complain.
Colombia was a big wheat producer in the 1950's. That was eliminated by what sounds like a nice plan, called "Food for Peace. " It's a plan by which US taxpayers subsidized US agribusiness to send food to poor countries. This, of course, destroyed the domestic agricultural markets of these countries, opening these markets to US agribusiness.
A big producer can survive price fluctuations on the world market. A small farmer can't.
How are these people deserving huge payouts for losing weight when they should have done it without the camera or without a team helping them? Then, six months later you go back and find out where they are, and they're in a worse state than they were in before they joined the f - ing show. Then they blame the producer.
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
My stepfather was a producer. I'd always wanted to be in show business. And so when he came into my life and he told my brothers and myself, he said, look, if you want to be in this business, you're all going to have to start at the bottom.
A lot of times, in music especially, it's producers making a political decision.
The script is the musical score, and everyone has to play off that score. Even I have to interpret it. The producers are there to eliminate obstacles to that interpretation.
I want to see more women as producers.
I like working together with different producers. Of course the process is different, producing a new track is like creating something all new, while reworking an already existing track is more like giving your own twist to the record.
For now ACID Kreationz has only one body and that's me. I have intentions of hiring persons when I am through with university. For now it is only me but off and on I contract sound producers and other persons when the need arises.
[Donald Trump] not going to be sitting in studio acting as the executive producer of The Apprentice. I think that's Mark Burnett and that's the way it's going to be.
We learned that President-elect [Donald] Trump intends to keep his executive producer title on Celebrity Apprentice. We know he's going to come out later this week and talk about how he's going to handle the overall conflicts of interests, perhaps, with his businesses in the White House.
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