I think that the economics of book publishing favor hits with long book runs. You make all your money on the last bunch of books, not the first.
Yes, the world is now flat for publishing as well.
I think the search engines are the new equivalent of publishing: an enabler of information.
My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool.
I've thought of publishing a book of my hate mail, but I don't own the rights to the letters.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
Publishing is in a kind of Jurassic age.
When you start, the world of publishing seems like a great cathedral citadel of talent, resisting attempts to let you inside. It isn't like that at all. It may be more difficult now, and take longer than when I started to write, but there's a great, empty warehouse out there looking for simple talent.
When I was 16, I started publishing all kinds of things in school magazines.
As we've gotten more successful, there's a gap between the speed of our publishing pipeline and the speed of our receiving submissions pipeline. Our pipeline of leaks has been increasing exponentially as our profile rises, and our ability to publish is increasing linearly.
Any institution becomes a community - whether it's a high school or a boarding school or a publishing company or a small town where everybody knows certain things about people.
I don't mind your thinking slowly; I mind your publishing faster than you think.
'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.
One of the things that's great about New York is that it is not a one-industry town. It has education, academia, the service industry, arts, publishing, theater, politics, fashion, finance, as well as movie-making.
My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
When we first did 'Modernist Cuisine,' I think most people in cookbook publishing would have said, 'This is insane.'
I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates.
I have no trouble publishing in Soviet astrophysical journals, but my work is unacceptable to the American astrophysical journals.
The Nobel Prize is run by a self-perpetuated committee. They vote for themselves and get the world's publishing industry to jump to their tune.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
I was 40 years old before I became an overnight success, and I'd been publishing for 20 years.
I write slowly by hand. Publishing is effectively bankrupt for you unless you are Danielle Steele. It takes a year to write book and advances are going down or disappearing.
I do work a lot. I mean, most of my income, I would say, comes from live performances. And then you've got publishing, you've got record royalties.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
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