Scene Quotes - Page 4

• I struggle to watch myself in any scene, to be honest. What's done is done. I wish I was able to watch myself, as it would really help me develop as an actor. But I'm not brave enough. It's a difficult thing to do - looking at yourself as this utterly different person on a screen.

  Eva Green

  Struggle, Brave, Wish

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• The entire behind the scenes of Saturday Night Live are all Canadian.

  Jamie Farr

  Night, Behind The Scenes, Saturday

  Interview with Peter Anthony Holder, www.peteranthonyholder.com. May 24, 1995.

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• There were some times when we did the winter scenes in the summer, and I had to wear that silly fur coat. Oh, my Lord! I was perspiring!

  Jamie Farr

  Summer, Silly, Winter

  Interview with Peter Anthony Holder, www.peteranthonyholder.com. May 24, 1995.

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• Usually you'd do the summer scenes in the winter. So you're out there with a T-shirt and hope nobody sees your air that you're breathing out. We put ice cubes in our mouth to stop that from happening.

  Jamie Farr

  Summer, Winter, Air

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• The camera does not know what it takes; it captures materials with which you reconstruct, not so much what you saw as what you thought you saw. Hence the best photography is aware, mindful, of illusion and uses illusion, permitting and encouraging it - especially unconscious and powerful illusions that are not usually admitted on the scene.

  Thomas Merton

  Photography, Powerful, Cameras

  Thomas Merton (1975). “The Asian Journal of Thomas Merton”, p.153, New Directions Publishing

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• My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.

  Angie Harmon

  Father, Heart, Thinking

  "Angie Harmon Interview RIZZOLI & ISLES". Interview with Christina Radish, collider.com. July 12, 2010.

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• Just to be seen strolling to or from a helicopter on the White House lawn, shouting an evasive answer to Sam Donaldson, must seem to the Reagans not quite satisfactory enough of a 7 PM presence, and this inane scene certainly galls the press.

  Thomas B. Griffith

  Pms, White, House

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• When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.

  Walker Evans

  Photography, Art, Real

  Jeff Rosenheim, Walker Evans, Jane Ninas, Historic New Orleans Collection (1991). “Walker Evans and Jane Ninas in New Orleans, 1935-1936”, Historic New Orleans

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• It's so not sexy and intimate. There are 40 people in the room. There's a guy with his belly hanging out, with a boom in your face. It's really very technical. I think doing a love scene is tougher than doing a fight scene. It's so staged and you can't put light on her face and you have to hit the mark.

  Boris Kodjoe

  Sexy, Fighting, Thinking

  "Boris Kodjoe Interview UNDERCOVERS". Interview with Christina Radish, collider.com. September 18, 2010.

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• Angie [Harmon] is a beautiful and stunning woman, and we both have really good qualities that complement each other. We both look very different and we have different energies, but it really works. We're lucky. When we do scenes together, I do feel like there's a certain magic that you can't always say happens.

  Sasha Alexander

  Beautiful, Magic, Quality

  Source: collider.com

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• The reason that I'm here is that Patrick and I are partners and when crazy stuff comes our way we'll sit down and brainstorm and think around it just like we do when we're thinking about a scene. So, while the masters might not understand my being here, or at least they didn't at first, but they do now because we really are a partnership. If he's on set I'm on set.

  Todd Farmer

  Crazy, Thinking, Down And

  "Screenwriter Todd Farmer On Set Interview DRIVE ANGRY 3D". Interview with Steve "Frosty" Weintraub, collider.com. July 19, 2010.

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• It's funny, if you go back and look at all those old movies a lot of times they didn't have the budget for music. Each scene here was written to a different time, whether that be 'Breakfast in America' or just different soundtracks that we had for different parts of the movie. I'm interested to see how it all plays once it's all put together.

  Todd Farmer

  Play, America, Together

  Source: collider.com

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• It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.

  Alison Pill

  Art, Mean, Cities

  Source: collider.com

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• And also, I'm most comfortable with like two people just sitting and talking about their feeling, you know, in a room with like two cameras and that's it. And I wanted to do something where there was like action and running and you know crowd scenes and big set pieces and certainly did a lot of that, so yeah.

  Nicholas Stoller

  Running, Talking, Two

  Source: collider.com

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• And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.

  Nicholas Stoller

  Mean, People, Stuff

  Source: collider.com

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• I just read that one scene for Emily in New Moon, and it was pretty simple and straightforward. They liked that I did it really natural. They were like, "That was great!," even with what little I had. Sometimes just having those little scenes are a lot tougher than if you have five pages because you have to go from 0 to 100 in a snap.

  Tinsel Korey

  Moon, Simple, Littles

  Source: collider.com

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• It was a very, very intense film for me. I almost lost my mind because there are scenes where I have to kill people, and that energy is absolutely overwhelming. At the same time, as an actor, you never play a character with judgment. It's not my place to judge the fact that she kills people. It's for me to look at her psychology to see what makes her do that.

  Tinsel Korey

  Character, Play, Judging

  Source: collider.com

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• I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

  Tinsel Korey

  Emotional, Car, Done

  Source: collider.com

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• The same camera that photographs a murder scene can photograph a beautiful society affair at a big hotel.

  Weegee

  Beautiful, Cameras, Murder

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• I have never been part of a scene. I've always been a bit of an island really, but I am fine with that.

  Planningtorock

  Islands, Fine, Bits

  Source: thequietus.com

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• I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.

  Austin Butler

  Yoga, Important, Hey

  Source: www.justjared.com

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• There's a lot of people who don't understand the touring and the party scene and it's like, go to bed late, wake up early, drive for hours, play a show, meet crazy drunk people and all that stuff. I would rather be doing that than like McDonalds or something like that though. It's definitely fun but it's a lot of work.

  Sam Hughes

  Fun, Crazy, Party

  Source: puregrainaudio.com

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• It was scary when the Beatles came on the scene. It was like an earthquake or a fire or an accident.

  Sonny Bono

  Fire, Earthquakes, Scary

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• It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.

  David Schwimmer

  New York, Cutting, Editing

  Source: collider.com

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• The thing that impressed everyone when he same on the scene as a 17 year old was he already spoke like a man. 
  (on Michael Owen)

  Graeme Souness

  Men, Years, England

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