Boiled down to one sentence, my message is the unboundedness of life and the unboundedness of human destiny.
I love being married. I was single for a long time, and I just got so sick of finishing my own sentences.
No sentence can be effective if it contains facts alone. It must also contain emotion, image, logic, and promise.
Every neurosis is a primitive form of legal proceeding in which the accused carries on the prosecution, imposes judgment and executes the sentence: all to the end that someone else should not perform the same process.
In all pointed sentences, some degree of accuracy must be sacrificed to conciseness.
The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold.
Detachment produces a peculiar state of mind. Maybe that's the worst sentence of all, to be deprived of feeling what a human being ought to be entitled to feel.
Writers must rely more on the feel of a sentence than on the dictates of a rule book.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
Theres only three things [Giuliani] mentions in a sentence—a noun, a verb, and 9/11
I wish I could say everything in one word. I hate all the things that can happen between the beginning of a sentence and the end.
All of us encounter, at least once in our life, some individual who utters words that make us think forever. There are men whose phrases are oracles; who condense in one sentence the secrets of life; who blurt out an aphorism that forms a character or illustrates an existence.
Acrid bitterness inevitably seeps into the lives of people who harbor grudges and suppress anger, and bitterness is always a poison. It keeps your pain alive instead of letting you deal with it and get beyond it. Bitterness sentences you to relive the hurt over and over.
The secret of good writing is to strip every sentence to its cleanest components.
Make no a complete sentence.
AIDS today is not a death sentence. It can be treated as a chronic illness, or a chronic disease.
There's no substitute for the love of language, for the beauty of an English sentence. There's no substitute for struggling, if a struggle is needed, to make an English sentence as beautiful as it should be.
High Concept means a book or a film whose core idea can be stated in a single sentence, such as Arnold Schwarzenegger and Danny DeVito are twins. Or, Arnold is pregnant.
Cut in dressmaking is like grammar in language. A good design should be like a well made sentence and it should only express one idea at a time.
I wouldn't ever write the full sentence myself, but then, I never use goto either.
I think hope is not simply looking around and saying that everything’s great – that’s just ridiculous. For hope to have substance, it has to acknowledge the pain. But hope is saying that’s not the final story. It’s not saying pain doesn’t exist, but it’s saying there’s not a period at the end of that sentence. It’s still being written.
I need to eliminate 'like' from my vocabulary. I begin sentences with, 'That's seriously like ' I hear myself talking in this Los Angeles high-school student kind of way, and I hate it.
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse: we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard.
Karl Popper once advised a student that if he wanted to reap intellectual fame, he should write endless pages of obscure, high-flown prose that would leave the reader puzzled and cowed. He should then here and there smuggle in a few sensible, straightforward sentences all could understand. The reader would feel that since he has grasped this part, he must have also grasped the rest. He would then congratulate himself and praise the author.
A picture might be worth a thousand words but a good sentence is worth a thousand windows
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