Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.
My stuff is generally quite collage-y anyway. So it's sort-of suited to gathering raw materials like shooting actors, then making stills or animating characters, then just bringing them all together in a 3D space. That process is very close to my 2D work anyway.
I was shooting lots of large format portraits then but I've since changed to digital, where you have so much more control. There are millions of things you can do with digital; you can be more spontaneous, and you're more in control of your color palette.
I actually don't have a problem with shooting and then just walking away and forgetting about it. I'm not really like a Method actor or an old soul. It doesn't stay with me.
It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.
I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.
Shooting stuff on horseback is more complicated and time consuming than anything else.
Let firm, well hammer'd soles protect thy feet Through freezing snows, and rains, and soaking sleet; Should the big last extend the shoe too wide, Each stone will wrench the unwary step aside; The sudden turn may stretch the swelling vein, The cracking joint unhinge, or ankle sprain; And when too short the modish shoes are worn, You'll judge the seasons by your shooting corn.
Over-population is the 'cause of drive-by shootings' and other social ills, but the root of the problem is Christianity, which posits that people are more important than sea otters and elephants.
I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.
None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.
The U.S. team has swept all the medals in the skeet shooting event. So despite our bad economy, it's nice to know our country has never been safer from an attack of skeets.
I'm shooting in Brooklyn, we've got all kinds of crap going on, and I'm all alone now in a big hotel suite that you can't believe the size of it and a thing sticks in my foot and I just think it's the funniest thing that's ever happened to me.
It was a weird game. There was ugly shooting and a lot of turnovers and mistakes, and we were just fortunate to get the win. I should have done better, but it was just a very ugly and weird game... I knew the game was going to be an ugly game when I saw those three guys at the scorer's table. Ugly people call ugly games.
Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.
Once you do a joke and it works it's only good for so long, like shooting fish in a barrel.
If I had a choice of having a woman in my arms or shooting a bad guy on a horse, I'd take the horse. It's a lot more fun
Its easier to get to the top when youre shooting for the top.
I'm so excited to be working on Doctor Who as it's such a big and important part of British Culture. I can't wait to meet the cast and crew and start filming, especially as we'll be shooting not too far from my home town.
When the United Nations was born it was believed to be a positive instrument for peace. From this exalted position it became an organization in which nations would at least keep talking instead of shooting. Soon it was discovered ... that words were as deadly as any weapon, and when these words had a number of interpretations they could and did lead to conflict.
What's important is the tolerance. If people are not beating other people up, or shooting them for being different, then that's progress. Even if the ideas that go through their head are fodder for novelists.
When you're shooting that fast end to end, you wake up in a hotel and you don't know where you are. You're dreaming of Singapore, you wake up in Hong Kong. Or you just lose track. It's one of the reasons I'm staying in hotels that I know I've stayed in before, and they don't look like other hotels.
Over my career I played some badass characters. So, people sometimes think I should have a .44 magnum. But that's not true, I don't have that. But I do fire them and I do enjoy target shooting and all that sort of thing. I'm not much of a hunter. I don't like killing animals, but I love to shoot.
This is an early digital photograph for me. I started shooting digital some 10 years ago. I had been using Kodachrome for decades, but digital techniques offered me many new possibilities and incredible flexibility. It stimulated creation.
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