I had always wanted to be on SNL, it's not always great, but it's this leftover childhood dream.
It's definitely like being in some weird sorority. I'm friends with a lot of actresses, but my 'SNL' friends are my closest.
'SNL' is the first real job I've held for more than a month and a half.
I shared a bed with my sister, Grace, until I was seventeen years old. She was afraid to sleep alone and would begin asking me around 5:00 P.M. every day whether she could sleep with me. I put on a big show of saying no, taking pleasure in watching her beg and sulk, but eventually I always relented. Her sticky, muscly little body thrashed beside me every night as I read Anne Sexton, watched reruns of SNL, sometimes even as I slipped my hand into my underwear to figure some stuff out.
SNL was a dream come true for me. It was a fantastic year. I dont have any regrets.
I had a lot of bad jobs but the one big internship I had is I interned for 'SNL' when I was 21 years old and that was the joke. You intern there and you think man, I'm going to be with the writers and the great comedians. Then you're getting everybody sandwiches and then the doors close and then all the great creatives are doing the work.
I tell people all the time, as I was going through my process of being a comedian or being an actor and a writer at SNL, I tell people that everything you do is all a piece of your puzzle to determine where you’re going to end up at.
I'm more of a comedian. I wouldn't mind being on SNL (Saturday Night Live). I think that would be cool.
If I had signed my fourth season of SNL, I wouldn't have ever had the opportunity to do Curb Your Enthusiasm. If my buddy OG Pearson wouldn't have passed away, I wouldn't have been in L.A. for his memorial, and I would've never auditioned for Curb.
In high school, my goal was to be a writer for SNL, then I got into the acting.
A lot of the motivation for doing the 'Make 'Em Laugh' on SNL was because I had just finished shooting 'Inception,' where there were zero-gravity scenes and I got into really good shape and was training and did all these stunts. Coming off of that, that instilled me with the confidence to do 'Make 'Em Laugh.'
For my first show at 'SNL', I wrote a Bill Clinton sketch, and during our read-through, it wasn't getting any laughs. This weight of embarrassment came over me, and I felt like I was sweating from my spine out. But I realized, 'Okay, that happened, and I did not die.' You've got to experience failure to understand that you can survive it.
Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
When I left college, I was out of work for three years. I had this dream of being on 'SNL,' and that was all I could imagine.
Even when I was at 'SNL,' I didn't do impersonations. I always wanted to be the kind of person who could do them - I always thought they were the coolest thing on the show - but I didn't have any experience.
You don't just decide to destroy a person by making up stuff, and no one at 'SNL' is writing to go after someone.
I'm a female in comedy, so of course I want there to be more women on 'SNL', and women of color.
My advice, Be healthy, reach your own goals and don't be afraid to impersonate a SNL star.
From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town.
I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to 'SNL' and falling in love with some writer on 'SNL,' of getting married and living in New York.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
If I watch an episode of SNL, and there's one thing that I liked, then that's a good episode.
Obviously, SNL has a lot of viewers, but the potential for a movie is through the roof.
I'm friends with a lot of actresses, but my 'SNL' friends are my closest. The experience of working there is something of a battleground, a great one, but complicated. I think there's a deep connection for having survived that workplace.
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