A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
The only bad studio is the unused one.
I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them.
I like touring, I like being in the studio, a bit of both. I like to have a bit of time at home as well.
All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she has extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.
The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.
Objectively good spaces to work rarely end up being so; in their faultlessness, quiet and well-equipped studios have a habit of rendering the fear of failure overwhelming. Original thoughts are like shy animals. We sometimes have to look the other way - towards a busy street or terminal - before they run out of their burrows.
I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
Today, it's very tempting to create songs by cutting and pasting in the studio.
I guess I'll just slip into the studio after the next time with the Muses, and then just keel over and die.
I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador.
When I needed an e-book formatted fast and formatted perfectly, Polgarus Studio came through for me. My expectations were exceeded. It's a relief knowing I can count on a hand-formatted e-book that will work on every device. Highly recommended!
Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
"Nationwide" featured an amazing collection of apprentice impersonators. From all over Britain, schoolchildren materialised via local studios to give us their imitations of the mighty. There were at least three uncannily accurate Margaret Thatchers, their eyelids fatigued with condescension and their voices swooping and whining like dive-bombers.
After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
Surrounding myself with people I enjoy being with made the sessions effortless. Everyone came prepared and ready to play. All were great musicians and they came to the studio to give everything they had.
I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.
Many rock musicians are excellent cooks, I've found, and those that are prefer to eat their own cooking in the studio. I encourage this behavior as I also enjoy the benefits of fresh food
Once you have learned to trust your own voice and allowed that creative force inside you to come out, you can direct it to write short stories, novels, and poetry, do revisions, and so on. You have the basic tool to fulfill your writing dreams. But beware. This type of writing will uncover other dreams you have, too-going to Tibet, being the first woman president of the United States, building a solar studio in New Mexico-and they will be in black and white. It will be harder to avoid them.
My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.
Between the marriages, I shagged my way round television studios like a mechanical digger.
I watch my contemporaries, and they love to live in the studio and I don't. I have a life. I treat it as a 9-to-5. I try to create something new every day, and then I get on with my life.
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