Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.
The studio is an extension of the sandbox and the kindergarten playroom. It has a dynamic unlike any office or factory. It's a room at the service of a dreamer on her way to becoming a master.
Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished.
OSHA had come in and looked at the channel 5 studios and it sort of had something to do with wrestling, but they found that there were some safety concerns that had to be addressed.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.
I never walked the streets of New York hoping to be a musical comedy star. For one thing, they would have thought I was too tall, because l was five feet eight and a half, and they were all little bitty things running around in the studio at that time.
The actors are in control, getting outrageous amounts of money. The reason they're getting this kind of money is because the studios don't know what else to do. They don't have a clue about what to do except to pay an actor a lot of money.
I think it's the most extraordinary studio around. I would love to do my next project with Pixar.
Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists
All studio movies are the middle of the Bell curve. The only way to do something is to do it yourself. And the only way to do that is to not take any money from anyone or take as little money as possible from anyone and that's it.
I loved being at the studio (20th Century-Fox). After all, I started at 15, and I grew up there. But there comes a time when an actress stays too long in the same place. People get used to having you around, and they can`t think of you in a different light.
Art comes from life, not from the studio
I like the idea of having a calm, quiet room to work on my [art] while knowing that outside there's noise and a lot happening. It's reassuring to know the 'everyday' continues even though inside the studio you feel so disconnected from it.
We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.
That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.
One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
I thought I'd do everything on four-track, and then I'll record every instrument myself in a studio, and then I'll have a solo album released by spring.
I think I was very lucky to have grown up with an artist's studio in the house. It was a kind of life that was possible. Yeah, it made it kind of harder because the standards were higher, but there was no pressure.
If you come every day or every month to my studio, you won't see that much change, but if you come once a year, you'll see big new categories opened up.
I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
I just play intuitively and work the same way in the studio. I don't have any magical effects or anything that helps me to get my particular sound.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
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