... While nervous tension may be a component of stress, one can be stressed without feeling tension.
But every human path leads on to God; He holds a myriad finer threads than gold, And strong as holy wishes, drawing us With delicate tension upward to Himself.
Temptation is a fearful word. It indicates the beginning of a possible series of infinite evils. It is the ringing of an alarm bell, whose melancholy sounds may reverberate through eternity. Like the sudden, sharp cry of "Fire!" under our windows by night, it should rouse us to instantaneous action, and brace every muscle to its highest tension.
Everyone has a special place they store their tension (I'm on shiatsu duty), the same way everyone misspells the same words over and over. Karla stores her tension in her rhomboid muscles, and I remove it. This is making me feel good. That I can do this.
Like the panic stricken populace of 'The War of the Worlds' and countless other 1950s invasion movies, the victims are there to provide the human ground over which monster and expert, threat and defender, disordering and ordering impulses can battle it out. Second-class citizens of the genre, they are narratively indispensable because physically entirely disposable. We are only really involved with them in the momentary tension of their capture or demise.
Why should I be feeling tension? It's The Daily Show.
As a social and as a personal force, religion has become a dependent variable. It does not originate; it reacts. It does not denounce; it adapts. It does not set forth new models of conduct and sensibility; it imitates. Its rhetoric is without deep appeal; the worship it organizes is without piety. It has become less a revitalization of the spirit in permanent tension with the world than a respectable distraction from the sourness of life.
There's more tension in golf than in boxing because golfers bring it on themselves. It's silly really because it's not as if the golf ball is going to jump up and belt you on the whiskers, is it?
I think people are at their most creative when they're relaxed. I don't believe that tension is good for creativity. Everyone is relaxed and therefore can feel able to express their own individual creativity and lots of ideas come in. It's a joy like that.
People are weird. We do live on all levels at the same time and you can be fighting and flirting, and there can be fury and sexual tension. All that stuff can co-exist so it's just a testament to how complex we are. Or maybe it's a testament to how boringly we try and simplify everything.
Damn everything but the circus! ...damn everything that is grim, dull, motionless, unrisking, inward turning, damn everything that won't get into the circle, that won't enjoy. That won't throw it's heart into the tension, surprise, fear and delight of the circus, the round world, the full existence.
Inequality and hierarchy are natural, but that doesn't mean they are right, that doesn't mean there is isn't a productive tension between those forces and the forces of equality.
Sports allow men to build up situations of emergency. What he then demands of himself is unnecessary achievement - and unnecessary sacrifice. He artificially creates the tension that he has been spared by affluent society.
Paris-New York, the two high tension magnetic poles between life, life of the senses, of the spirit in Paris, and life in action in New York.
When we feel joyful, euphoric, happy, we are more open to life, more capable of seeing things clearly and handling daily tensions.
The best marriages, like the best lives, were both happy and unhappy. There was even a kind of necessary tension, a certain tautness between the partners that gave the marriage strength, like the tautness of a full sail. You went forward on it.
Marriage probably originated as a straightforward food-for-sex deal among foraging primates. Compatibility was not a big issue, nor, of course, was there any tension over who would control the remote.
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
Unfulfilled dreams, ongoing relational tension, the loss of friendships, a hard marriage, rebellious teenagers, the death of loved ones, remaining sinful patterns - whatever it is for you - live long enough, lose enough, suffer enough, and the idealism of youth fades, leaving behind the reality of life in a broken world as a broken person.
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
I believe - I know (there are not many things I should care to dogmatize about, on the subject of writing) that writers need solitude, and seek alienation of a kind every day of their working lives. (And remember, they are not even aware when and when not they are working.) ... The tension between standing apart and being fully involved; that is what makes a writer.
I believe when you bring, say, a plant into a room, everything in that room changes in relation to it. This tension - tension is the only word for it - can be painted.
Emotionally, grief is a mixture of raw feelings such as sorrow, anguish, anger, regret, longing, fear, and deprivation. Grief may be experienced physically as exhaustion, emptiness, tension, sleeplessness, or loss of appetite.
The tension between the call to the desert and to the market place arises not from the greater presence of God in one or the other but from our varying psychological needs to apprehend him in different ways.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
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