And he made love to her, offering his body in both tenderness and anger, unsure which was the best way to pass her bits of his soul so that she could patch her own with it
The people I see from my window. In the huts, in the distance. They're all dressed the same.' 'Ah, those people,' said Father, nodding his head and smiling slightly. 'Those people...well, they're not people at all, Bruno.' Bruno frowned. 'They're not?' he asked, unsure what Father meant by that.
Vlad blinked, unsure where her question was coming from and, more importantly, where it was going.
This is where we go our seperate ways. Aware of the almost feel of his hand on my arm when he pulls me back to him and says, "Yes." I look at him, unsure of what he's saying yes to. "The questions you asked earlier, about wanting to settle down, start a family, see my family? Yes. Yes to all of it." I try to swallow but can't, try to speak but the words just won't come. His hands sliding around me, grasping me to him, he lets go of the vial, allows it to fall, to crash to the ground. The sparkling green liquid seeping out all around as he says, "But mostly yes to you.
You make yourself strong because it's expected of you. You become confident because someone beside you is unsure. You turn into the person others need you to be.
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.
Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
He who does his work like a machine grows a heart like a machine and he who carries the heart of a machine in his breast loses his simplicity. He who has lost his simplicity becomes unsure in the strivings of his soul.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
In this cultural moment, many of us are feeling inadequate to solve societal problems - fascism, racism, misogyny, homophobia, anti-Semitism, the list goes on - and are unsure of how individuals can affect real change. We don't know what effect we will have on the current political climate as we strive to effect change. All large historical decision draw from a sea of smaller decisions. One never knows what will make the difference in the long run.
I don't know what the comics community could do to make everyone feel welcome; I'm cynical and unsure if everyone can feel welcome, simply because so many people have conflicting ideas of what is welcoming, but I think that calling out creators and comic industry people who have harassed people and/or been abusive is a good first step. If we create a culture where those kinds of actions can no-longer go unchecked, then more people may feel welcome to participate and know that they will be heard if they experience unfairness.
If a director, I believe, has vision and knows so clearly what they want, then you can have a film that can perform. Whereas you can have done 50 movies, but if you're unsure this time, your movie may not turn out.
High school was hard for me. I tried really hard to fit in and said the things I thought people wanted to hear. But I was unsure of myself. I was self-conscious, and I didn't really know my place or where I fit in.
The media tends to portray the teenage world as one where drinking and sex is taken for granted. In fact, I think most teenagers don't drink, are unsure of themselves, and feel awkward around members of the opposite sex.
[On Hollywood:] This is no town for a come back, people are too unsure of themselves.
People often are unsure whether or not they are in love, but they generally know whether or not they are having sex.
Having children can smooth the relationship, too. Mother and daughter are now equals. That is hard to imagine, even harder to accept, for among other things, it means realizing that your own mother felt this way, too--unsure of herself, weak in the knees, terrified about what in the world to do with you. It means accepting that she was tired, inept, sometimes stupid; that she, too, sat in the dark at 2:00 A.M. with a child shrieking across the hall and no clue to the child's trouble.
In my life, the only certainty is to be uncertain. I'm an unbeliever who believes in skepticism. I'm only sure about being unsure.
I'm delighted that the future is unsure. That's the way it should be.
When those closest to us respond to events differently than we do, when they seem to see the same scene as part of a different play, when they say things that we could not imagine saying in the same circumstances, the ground on which we stand seems to tremble and our footing is suddenly unsure.
My day-mind can endure / Upright, in hope, all it must undergo. / But O, afraid, unsure, / My night-mind waking lies too low, too low.
A character, to be acceptable as more than a chess piece, has to be ignorant of the future, unsure about the past, and not at all sure of what he's supposed to be doing.
I think now that maybe true sweetness can only happen in limbo. I don't know why. Is it because we are so unsure, so tentative and waiting? Like it needs that much room, that much space to expand. The not knowing anything really, the hoping, the aching transience: This is not real, not really, and so we let it alone, let it unfold lightly. Those times that can fly.
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