I guess through my learning disability, through dyslexia, I've always been a visual learner - I take in everything through my eyes.
I'm very interested in the visual world because I'm also very interested in feminism. I find that the world of watching takes us into the most psychotic state of, like, "You are this one person, but you have to become another person to see these images."
Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.
My name is Raquel Welch. I am here for visual effects, and I have two of them.
We make such terrible mistakes with visual choices about beauty.
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
I would have been a visual artist. When I was in high school, that was one of the things... I had to make a decision what I was going to go to college for, and at the time, I also painted and sculpted. I got more attention for my performing, so I thought that was a better idea.
I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.
It's interesting vocalizing something that is visual.
I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all.
We've tried to use some visual motifs [in Beauty and the Beast]. As far as the cinematography and the lensing and all that, we are presenting a different view into that world. It's a little sleeker, but we're keeping the gothic feel underneath it.
I come from a visual background. I used to work in the camera department at Warner Bros. when I was a teenager. I grew up dusting lenses and learning about photography.
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
I've always liked puzzles, since I was a kid. I like party games, silly games. I loved chess. I enjoy jigsaw puzzles, but I'm not particularly visual.
A photograph presents itself not only as a visual representation, but as evidence, more convincing than a painting because of the unimpeachable mechanical means whereby it was made. We do not trust the artist's flattering hand; but we do trust film, and shadows, and light.
The Western memory museum is now mostly a visual one.
Can the vast technology beneath our gaze be anything but a representation? Any optical artifact... The city panorama is a theoretical (ie visual) simulacrum: in short, a picture, of which the preconditions for feasibility are forgetfulness and a misunderstanding of processes.
As a comic, you learn to use your voice because you don't have the benefit of visual things.
The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination.
Some people... cling to the idea that the photograph is an inherently real or honest image and as such is always on a different plane from an obviously subjective form of visual communication such as painting.
Each film has its processes. It doesn't mean that all animated films have to be like "Boy and the World," but creators have to have total freedom. There are films that are born with the purpose to sell. They are still admirable films with great artists and great visuals, but we wanted to use a more radical approach to create art. That's what we tried to do.
And this movie [Real Steel] definitely looks like nothing else I've made, which was the point. I think also, Evangeline and Hugh are such a fantastic... Their chemistry is so genuine. And also it's a good balance to all those visual effects. It'll give you more of the tone.
The costumes, the light rigs and the effects are seamlessly joined. I'm kind of bummed that I don't get the experience that you get with just watching it cold. By the time we'd seen all the visuals put together, I'd sort of become used to that world. It's still pretty impressive.
To have my fan club. I am very proud of doing everything. I try to support my parents, friends and fans. I am also proud of my performing in the visual arts, and motion television.
A visual experience is vitalizing. Whereas to write great poetry, to draw continuously on one's inner life, is not merely exhausting, it is to keep alight a consuming fire.
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