The visual image is a kind of tripwire for the emotions.
All great art is a visual form of prayer.
Let's face facts, this is visual medium, there's a very high premium put on people who are good-looking. But the minute you rely on that you get yourself in trouble. You certainly don't make a career out of that anymore as an actor.
For women... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can't possibly fit. Without these visual references, each individual woman's body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.
For us the most important thing is to be visual, and for the cats watching us to have fun. This is all we want. We get very upset if people get bored when we're only half way through smashing the second set.
Hubble touches people. When you're looking that far out, you're giving people their place in the universe, it touches people. Science is often visual, so it doesn't need translation. It's like poetry, it touches you.
The concrete is better than the abstract. The detail is better than the commonplace. The sensual [through the senses] is better than the intellectual. The visual is better than the mental.
Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate
Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body.
Our Government is pleased to partner with the Kelowna Visual and Performing Arts Centre Society, located in the heart of British Columbia's vibrant Central Okanagan region. Support for the performing arts is essential for the professional growth and development of our Canadian artists.
The thrill of doing visual effects doesn't exist.
After I script the movie, I have to storyboard it out, I have to budget it, and I have to understand if I can afford all those visual effects or not.
... the attempt to render visual intricacy makes words feel unwieldy, like sacks of meaning that must be lugged into place, dragged here and there, then still don't fell accurate.
Art is good, bad, boring, ugly, useful to us or not. It does or doesn't disturb optical monotony, and succeeds or fails in surmounting sterility of style or visual stereotype; it creates new beauty or it doesn't.
A modeled form is less striking than one which is not. Modeling prevents shock and limits movement to the visual depth. Without modeling or chiaroscuro depth is limitless: movement can stretch to infinity.
I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art.
The visual arts must communicate to the human spirit, forcing individuals to reflect on themselves and their existence beyond their own self-interest.
The really great visual experience today is to fly over a huge city and look down into the night. It's like a tremendous jubilant Christmas tree. You just feel life is worth living when you come down you may have some doubts.
Visual tonics such as 'timed creativity' need to be introduced to refresh and refurbish the muse.
What sets you apart from the rest of humanity is your ability to give visual form to an idea - the skill to transform it into something more than merely the insight or perception alone.
It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy.
. . . you [film critics] always overstress the value of images. You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose. I was guilty of the same sin when I first started writing for the cinema. . . . Now I feel that only the literary mind can help the movies out of that cul de sac into which they have been driven by mere technicians and artificers.
There are so many films now where you know the story is a supporting role to the visual effects.
I was thinking about sort of the similarities between "art movies" and lowbrow movies like kitschy sexploitation films. I think they share certain qualities, whether they're hyper-stylized or overly emotive or just very visual.
Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: