I tell ya, my wife's a lousy cook. After dinner, I don't brush my teeth. I count them.
I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. ... That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.
Brush and ink are only servants of thoughts and emotion. They should follow your emotion and change with the emotion.
Draw with the brush. Carve the form. Don't be carried away by subtleties of modeling and nice pigmentation at the expense of losing the form.
Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
To an artist, a picture is both a sum of ideas and a blurry memory of 'pushing paint,' breathing fumes, dripping oils and wiping brushes, smearing and diluting and mixing.
The material memories are not usually part of what is said about a picture, and that is a fault in interpretation because every painting captures a certain resistance of paint, a prodding gesture of the brush, a speed and insistence in the face of mindless matter.
A painter knows what to do by the tug of the brush as it pulls through a mixture of oils, and by the look of coloured slurries on the palette.
Enthusiasm brushes off upon those with whom you come in contact.
Love everybody. If they do you wrong or they brush you the wrong way it's OK, you don't have to hold on to that, you can still love them from afar; you don't have to really deal with them.
I put fruit on top of my waffles, because I want something to brush off.
Somehow you've been voted something for a magazine, and it's a complete mystery to me. I wake up and I have to look at that head when I brush my teeth every morning, you know. And it's weird. And it's unpleasant at times.
After I graduated from high school, one of the former workers on our farm asked if I would be willing to join him in selling Fuller brushes through the summer. It seemed like a perfect way to make some money for college. And being away from my parents and learning to make my own way gave me self confidence.
I'm not attacking liberals with a broad brush.
I personally prefer working digitally because it allows me to work quickly and cleanly. I don't have to buy paint or brushes or canvases, I don't have to wait for paintings to dry before sending them to clients, I don't have to photograph or scan my final work, and I can make edits immediately and easily.
A lot of artists were members of the artistic union. It gave you the possibility to buy paints, canvases, brushes, even the possibility to get a studio if you had the money to build it. It also gave you the possibility to make your living by making official art and then you would get a lot of "official" commissions: portraits, paintings, murals, etc.
One of the very few things that I do every single day is put on fragrance. If I'm not wearing makeup ... I still put my fragrance on. I will brush my teeth and put on my perfume.
A system of cameras and censors are used along the border and interior to help detect the movement of illegal immigrants crossing through the dense brush.
If you want something badly enough, make an attempt. If you want to paint, get a brush and do it. If you want to sing, sing. A lot of people get scared. They're afraid to fail. Take that word out of your vocabulary. You don't "fail." You've "tried your best."
Once a year my back will go out and it'll be... it's like a sciatic thing and it's the smallest thing. Like I could be leaning over the sink to brush my teeth in a weird way and it happens.
In a way records are like paintings. Instead of using paints and brushes we use sounds and instruments.
The only thing I can do is wipe my arse, brush my teeth, turn up and do the best work I can.
I always get nervous before a kissing scene. I make sure I always brush my teeth and eat lots of fruit and nice foods rather than garlic. I'm terribly self conscious.
I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
I've been trained in dancing and I used to be quite good, though I am a bit rusty right now. But I could probably brush up in a couple of months. The funny thing is that I actually took classes from Savion Glover, who worked in Happy Feet, when I was a kid. Isn't that wild? I was part of a selected group that was brought into New York from New Jersey (which is where I'm from) to study, every Saturday: ballet, jazz and tap. It was a musical comedy group.
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