Our children are angry. The profanity is out in the street. It's on the buses and in the subway. Our children are trying to tell us something, and we are not listening.
Lots have said since what the film Maurice meant to gay men. I had a guy in New York who recognized me and jumped off a bus to tell me how I changed his life. Isn't that something?
The Nova Scotian black community always remembered Viola Desmond - they didn't lose track of her, ever. Her memory was very much alive there, but the rest of us didn't know anything about her. It's just so typical of Canadians that we know Rosa Parks, in that "bad country to the south of us" - they needed this lovely, courageous woman to sit down in the front of the bus - but we wouldn't know ours, because of course we "don't have racism in Canada."
When I'm on tour, I'll just fly the family out, I'll put 'em on the bus with me. They don't have to be there the whole time, but if I'm gone a certain amount of time, you know I'm definitely gonna fly them out. And then a lotta times when I'm home, I do spot dates and stuff on the weekends, because I always want spend quality time with the family. Family at the end of the day is everything, and I value that.
Everything's serendipitous and there's no way of knowing who's going to get sick or who's going to get hit by a bus or who's going to fall in love and who's going to get pregnant. All the things that happen, it's up for grabs so it's kind of an exercise in surrender in a way.
One time, I think it was my third lesson third or fourth lesson. Kim Parker and he picked me up at the bus station. And she just said, "Phil [Wood] has been up all night. He's heartbroken. Bud Johnson died last night." And Bud Johnson, like Zoot [Sims] and Al [Cohn] had been mentors to him.
I was on one bus with my band and crew for seven years. I didn't come to town with a karaoke tape. I didn't get on a TV show. There were no shortcuts. Anybody who wants to follow my model is welcome to it. You don't want to follow my path.
I could eat healthier, I could drink less. I should be learning another language and working out more, but I'm just always saying, 'Ah, I could get hit by a bus tomorrow.'
My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.
There's nothing like throwing up out a bus door, going sixty-five miles an hour.
We just got a tour bus. I didn't know tour buses could be this nice. It's just me, Brian Haner the guitar guy, the tour manager and a writer. We laugh ourselves silly. Apparently we're going to have a road dog, a miniature pincher. It's the smallest they've ever seen. How masculine am I going to look, working with dolls and a miniature dog?
Greyhound Bus Lines motto: "We Stop For Some Damn Thing Every 200 Yards."
I think I see her, please let me off this bus. Nadine, honey, is that you?
I see ya waiting for the bus early in the morn', brick house with a face like Lena Horne.
You wouldn't want to move if you sat next to me on the bus. Or maybe you would.
Most novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
I watch people from the top of buses who don't know they're being watched. It's quite fascinating.
I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
I sometimes think it ironic for an ex-seaman, longshoreman, truck driver, policeman, bus driver, etc... to find success writing children's novels.
When I was in school, I used to look out the window and see the big red double-deck buses driving by. It just looked so free.
They used to laugh at me when I refused to ride on all those double decker buses, all because there was no driver on the top.
We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that.
Getting on the bus and touring was my life. And when that was not around, I felt myself a bit lost at times, because that was all I had.
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