Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
A lot of people inspire me. I'm a huge movie buff. From studying and watching movies, over and over again, directly influential are Terrence Malik and his naturalism, Robert Altman and his exploration of improvisation, and Judd Apatow, in terms of his comedic process.
I enjoy comedic things. People don't understand it's the hardest thing to do. We have a ratio of 25-to-1 between good dramatic actors and people who are considered good comic actors.
Canada has been a breeding ground for great comedic actors, sketch artists and stand-up comedians. We grew up with a different perspective on the world.
I'm a huge fan of Warner Brothers cartoons. I would spend many hours alone after school watching Daffy Duck. I think Daffy Duck is one of the great comedic villains.
The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.
I'm interested in everything about what it means to be a human being, so every role is an excuse to delve into a different way of life, a different socio-economic background, and a different tragic or comedic circumstance.
I love Starship Troopers. That's really smart. I think he really could portray fascism in a comedic way. It's funny because both José [Padilha] and [Paul] Verhoeven were accused of being fascists for their movies because they had fascist leads. So, it's not going to have his tone, but there's going to be political satire in it.
I like playing an array of different roles. From the fun, comedic roles to the serious roles. It's always fun to play the role that either closely represents your own personality or the role that is completely opposite of yourself.
Comedy comes from a place of hurt. Charlie Chaplin was starving and broke in London, and that's where he got his character 'the tramp' from. It's a bad situation that he transformed into comedic one.
I loved Peter Sellers. I thought he was the perfect mix of physical comedy with out-of-the-box humor. I loved his tone; I loved his physicality; I loved everything about what he was doing as a comedic actor.
This has been one of the more comedic aspects of this 72 hours - watching a cavalcade of extremely wealthy pundits, editorialists and political operatives from New York and Washington tell me how rural Americans won't stand for this.
I've always been partial to comedy. I love the idea of working on a comedic scene.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
I feel more comfortable writing firmly comedic or slightly comedic stuff.
A friend of mine is trying to do a documentary where he brings Jewish and Arab comedians to occupied territories in Israel. He wants to do shows as a way of finding some comedic common denominator. When he proposed the idea to one of the officials at the Jenin refuge camp, the guy just stared at him and said, "This is not a joke to us. We don't think that laughing is the answer."
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
I don't know how (producer) Dan Harmon put that together but he did. Everyone gets along and we all babysit Chevy Chase (laughs) and it all works out. Plus we are given a lot of freedom to riff off each other and compliment each other's comedic style. The group is so talented, whether it be Donald Glover or Allison Brie and now Jim Rash who plays the Dean is finally a full member of the cast - oh my gosh, he is so funny. I call him Rumplestiltskin; he can spin comedy out of anything. I am in such a blessed situation - if only more people would watch it.
[Warren Beatty] definitely sees 'Rules' as a comedic consequence to the American sexual puritanism that is dramatically presented in 'Splendor.'
The one thing I would never wish it to be thought is that you play serious roles in order to achieve some sort of respectability which you can't if you're playing comedic roles.
In black comedic culture, there's always been a thing about "Man, I ain't gotta wear a dress to be funny!" But I've done it.
It's a fascinating culture [the South in the Civil War period] and so rife with comedic possibilities. And not in a way that...I have no intention of making fun of re-enactors. I think it's more just a celebration of their passion and enthusiasm, which is so infectious and maybe at times a little misguided.
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