They want me to give another concert but I have no desire to do so. You cannot imagine what a torture the three days before a public appearance are to me.
There are certain times when I feel more inspired, filled with a strong power that forces me to listen to my inner voice, and when I feel more need than ever for a Pleyel piano.
A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.
One needs only to study a certain positioning of the hand in relation to the keys to obtain with ease the most beautiful sounds, to know how to play long notes and short notes and to achieve certain unlimited dexterity. A well formed technique, it seems to me, can control and vary a beautiful sound quality.
I don't know where there can be so many pianists as in Paris, so many asses and so many virtuosi.
I haven't heard anything so great for a long time; Beethoven snaps his fingers at the whole world.
I have met a great celebrity, Madame Dudevant, known as George Sand... Her appearance is not to my liking. Indeed there is something about her which positively repels me... What an unattractive person La Sand is... Is she really a woman? I'm inclined to doubt it.
I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.
If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
If Detroit was a watershed concert for me, traveling with Willie Nelson through Texas and Louisiana was a milestone of a different sort.
They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
The first time I ever saw Lydia Lunch perform it was a religious experience. Not only is she intelligent and beautiful but she actually understands how "my" brain works. This almost rivals my first concert- Cindy Lauper when I was 12. She was so fascinating to me at the time. She made me want to dye my hair pink and start a band. (SO I naturally did)... All Cure records have had a great effect on me musically also.
I began ear training when I was about six months old. My mother was a concert pianist, and she started all of her children with music before they were a year old. Then she began to see that I had a musical gift...
I play these [folk acoustic] concerts and I ask myself, 'Would you come see me tonight?' - and I'd have to answer truthfully, 'No, I wouldn't come. I'd rather be doin' something else, really I would. That something else is rock... The words are pictures, and the rock's gonna help me flesh out the colors of the pictures. (1965)
The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.
It was quite unusual to use the recorder as a concert instrument. But my mother, a pianist, actually helped me a lot by assuming that anything done on the piano can easily be done on the recorder! She helped me with technique and was just as critical about my playing as she was with her own. I think that has been one of my fortunes.
You have this special connection with someone if you're their first record or their first concert or their first poster or whatever it is.
New Year's Eve, we're going to be doing a concert with the Philadelphia Orchestra in Symphony Hall. It makes me feel good, because of all the people they could have had, they wanted me! We do have to do a little work with the rhythm section.
Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.
The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
I have no idea why a guy would bring a jar of peanut butter to a concert.
What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you. I wanted to find a way to unlock the intensity of that, to recreate that unique perspective, first for the hundreds of people who attended the concert, and eventually for a much larger online audience.
All employees are obliged to act in concert, to behave in accordance with corporate form and corporate law. If someone attempted to revolt against these teets, it would only result in the corporation throwing the person out, and replacing that person with another who would act according to the rules. Form determines content: Corporations are machines.
We put out a live thing, it seemed more like a bootleg though but, it would be nice to see like a concert filmed with like good cameras you know, instead of just DV cams.
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